2027 |
Hugh von Arnim |
Ph.D. |
Musicology |
|
2026 |
Sara D'Amario |
Marie Sk?odowska-Curie fellow |
Musicology |
|
2025 |
Anna-Maria Christodoulou |
Ph.D. |
Musicology |
|
2025 |
Arthur Guo |
Ph.D. |
Musicology |
AMBIENT |
2025 |
Bilge Serdar |
Postdoc |
Musicology |
AMBIENT |
2025 |
Maham Riaz |
Ph.D. |
Musicology |
AMBIENT |
2025 |
Bálint Laczko |
Ph.D. |
Musicology |
AUTORHYTHM |
2024 |
Finn Upham |
Postdoc |
Musicology |
|
2024 |
Fadi Al-Ghawanmeh |
Ph.D. |
Musicology |
Computer-generated maqam music |
2023 |
Kristin Norderval |
Artistic fellowship |
Opera, Oslo National Academy of the Arts |
Electrifying Opera: Amplifying agency for opera singers improvising with interactive audio technology |
2023 |
Mojtaba Karbassi |
Ph.D. |
Informatics |
ZRob: Embodied Exploration of Rhythmic Patterns and Emergent Behaviour in Robotic Drumming |
2023 |
Kristian Wentzel |
M.A. |
Music, Communication & Technology |
Exploring multi-touch instruments with MPE and MIDI 2.0 |
2023 |
Henrik Herrebr?den |
Ph.D. |
Psychology |
Attention And Effort In Elite Athletes: A Case Against Automaticity |
2023 |
Dongho Kwak |
Ph.D. |
Musicology |
Music for cells? Rhythmic mechanical stimulations of cell cultures |
2023 |
Dana Swarbrick |
Ph.D. |
Musicology |
Being in Concert: Audience Emotion, Motion, and Social Connectedness |
2022 |
Laura Bishop |
Postdoc |
Music psychology |
|
2022 |
Rayam Soeiro |
M.A. |
Music, Communication & Technology |
Visualizing psychophysiological responses to music stimuli
|
2022 |
Joni W. Mok |
M.A. |
Music, Communication & Technology |
Crossmodal correspondence: different modes, common codes? Investigating music engagement with an ecological cognitive approach |
2022 |
Karoline Ruderaas Albrigtsen |
M.A. |
Musicology |
Learning to Un-sing: A study of free improvisation vocalists’ ideas, strategies, and techniques |
2021 |
Mari Lesteberg |
M.A. |
Music, Communication & Technology |
Micro and Macro:
Developing New Accessible Musicking
Technologies |
2021 |
Qichao Lan |
Ph.D. |
Musicology |
Exploring Collaboration in Computer Music Systems for Live Coding |
2021 |
Cagri Erdem |
Ph.D. |
Musicology |
Controlling or Being Controlled? Exploring Embodiment, Agency and Artificial Intelligence in Interactive Music Performance |
2020 |
Ashane Silva |
M.A. |
Music, Communication & Technology |
Sonification of Standstill Recordings |
2020 |
Agata ?elechowska |
Ph.D. |
Musicology |
Irresistible Movement: The Role of Musical Sound, Individual Differences and Listening Context in Movement Responses to Music |
2020 |
Victor Evaristo Gonzalez Sanchez |
Postdoc |
Musicology |
Music-related micromotion |
2019 |
Tejaswinee Kelkar |
Ph.D. |
Musicology |
Computational Analysis of Melodic Contour and Body Movement |
2019 |
Gaute Barlindhaug |
Ph.D. |
Music, UiT |
The Kids Want Noise - How Sonic Mediations Change the Aesthetics of Music |
2019 |
Ximena Alarcón Diaz |
Marie Sk?odowska-Curie fellow |
Musicology |
INTIMAL: Interfaces for Relational Listening – Body, Memory, Migration, Telematics |
2019 |
Marcus Widmer |
M.Sc. |
Physics |
Machine Learning and Sonification Applied to Fish in Wideband Hydroacoustic Data: Exploring Two Approaches to Classification of Underwater Targets |
2018 |
Mads Bye |
M.A. |
Musicology |
MIDI Polyphonic Expression: A Bridge Between Acoustic and Electronic Instrument Experience? |
2018 |
Line-Mathilde Espeset |
M.A. |
Musicology |
Expressive Intention and Perception of Body Language in Popular Music Performance: Interpretation of the visual communication between the vocal performer and the audience |
2018 |
Anders Tveit |
M.A. |
Musicology |
On using the laptop in improvisation.-Constrained interfaces, engaging instruments |
2016 |
J?rgen Skjulstad |
M.A. |
Aesthetics |
Circuit bending as an aesthetic phenomenon |
2016 |
Bo Zhou |
M.Sc. |
Informatics |
Video analysis of music-related body motion in Matlab |
2016 |
Mari Romarheim Haugen |
Ph.D. |
Musicology |
Music-Dance. Investigating Rhythm Structures in Brazilian Samba and Norwegian Telespringar Performance |
2016 |
Diana Kayser |
M.A. |
Musicology |
Do We Feel What We Perceive and Perceive What We Feel? A Review of Methods in the Study of Emotions in Music |
2016 |
Frank Tj?rhom |
M.A. |
Musicology |
Hvordan underviser man musikalsk improvisasjon p? videreg?ende- og bachelorniv?? – En intervjuunders?kelse av tre hovedinstrumentl?reres undervisningsmetoder sett i lys av forskning innen musikalsk improvisasjon |
2016 |
H?kon Bachken Eikeland |
M.A. |
Musicology |
Syntetisk musikk: En turingtest av maskinell stilsyntese |
2016 |
Mats Bergstr?m |
M.A. |
Musicology |
Algoritmisk akkordsegmentering En metode for akkordsegmentering av Bachs firstemmige koraler |
2014 |
St?le Skogstad |
Ph.D. |
Informatics |
Methods and Technologies for Using Body Motion for Real-Time Musical Interaction |
2013 |
Kristian Nymoen |
Ph.D. |
Informatics |
Methods and Technologies for Analysing Links Between Musical Sound and Body Motion |
2012 |
Even Bekkedal |
M.A. |
Musicology |
Music Kinection: Musical Sound and Motion in Interactive Systems |
2012 |
Catherine I. St?ver |
M.A. |
Musicology |
Freestyle equipage: an equipage riding to music |
2011 |
?yvind Hauback |
M.Sc. |
Informatics |
Teknologi for sensordata: innsamling til mediespiller |
2010 |
Bj?rnar Hegge |
M.A. |
Musicology |
Mellomsanselig groove |
2011 |
Roger Stein Grading |
M.Sc. |
Informatics |
Analyzing Sensor Data for Active Music |
2010 |
Notto Thelle |
M.A. |
Musicology |
Making Sensors Make Sense: Challenges in the Development of Digital Musical Instruments |
2009 |
Eirik Renton |
M.Sc. |
Informatics |
Collecting Sensor Data for Active Music |
2009 |
Bj?rnar Hjelmevold |
M.Sc. |
Informatics |
Semiotiske systemlyder |
2008 |
Rune Fagereng |
M.A. |
Musicology |
Levende elektronikk: En studie av Eivind Aarsets bruk av gitar og elektronikk i konsertsammenheng |
2007 |
Arve Voldsund |
M.A. |
Musicology |
Brukergrensesnitt for sanntidsdbehandling av lyd: Mapping av sensordata til DSP-funksjoner |
2005 |
Trond Christian Fr?haug |
M.Sc. |
Media technology, Gj?vik University College |
Publikumsinteraktivitet i konserter |