WEBVTT Kind: captions; language: en-us 00:00:00.000 --> 00:00:06.800 Hello, everyone. Today, I'm standing in the Danish Radio's head quarters here in Copenhagen, Denmark, 00:00:06.800 --> 00:00:14.000 I'm here with Simon H?ffding and it's a special day today because tonight, we are going to 00:00:14.000 --> 00:00:19.800 receive a prize here in this building. And what is this about Simon? Yes, this is so exciting 00:00:19.800 --> 00:00:26.000 because this is a prize for the classical "event of the year" that we all did together at RITMO 00:00:26.000 --> 00:00:29.900 with our collaborators from Europe back in October with the Danish String Quartet. 00:00:29.900 --> 00:00:35.300 We are the first researchers ever to receive a musical prize. That's extremely 00:00:35.300 --> 00:00:40.400 exciting, I think. And for this event, what we call a Music Lab, 00:00:40.400 --> 00:00:44.100 a concept that we have been developing at the University of Oslo over the years. The idea is 00:00:44.100 --> 00:00:51.200 to see how we can study music in a real-life setting, capturing different things on the 00:00:51.200 --> 00:00:56.300 musicians and also on the audiences and see how we can share and work with that 00:00:56.300 --> 00:00:59.700 material openly. And in this particular MusicLab, 00:00:59.700 --> 00:01:06.000 the MusicLab Copenhagen, what did we do there in this setting? 00:01:06.000 --> 00:01:12.300 Well, what didn't we do, because it's extremely complex. We were, if you count everyone who joined in and did a good 00:01:12.300 --> 00:01:18.300 chunk of work with 25 people working on that, at least 12 researchers working on their own hypotheses. 00:01:18.300 --> 00:01:23.200 So, we are working on hypotheses relating, to synchronization of different bodily signals 00:01:23.200 --> 00:01:29.200 internally to audience members and internally to the musicians but also across audience and musicians 00:01:29.850 --> 00:01:36.400 We're looking at pupillometric responses to stress when performing. We have a huge 00:01:36.400 --> 00:01:40.800 questionnaire where the audience are reporting when they feel what kinds of existential 00:01:40.800 --> 00:01:45.600 emotions or absorbed into the music, or when they are mind-wandering, and all of that can be 00:01:45.600 --> 00:01:49.800 connected in a myriad of ways. There's no way we can cover all of it in our own work. So it's 00:01:49.800 --> 00:01:54.900 openly accessible for anyone out there who want to look at it. And most importantly, we worked with 00:01:54.900 --> 00:01:59.750 the Danish String Quartet, one of the leading string quartets in the world playing some fantastic music. 00:01:59.750 --> 00:02:06.000 From Beethoven to folk music. So if you're interested in more about this, look at the links down here 00:02:06.000 --> 00:02:13.500 where you can see the full concert and there are links to the prize ceremony and more material and 00:02:13.500 --> 00:02:18.300 data and everything else? And a really cool documentary video if you want to get just a 10-minute impression 00:02:18.300 --> 00:02:24.400 So that's it: Music lab Copenhagen. See you later.