WEBVTT

00:00:00.000 --> 00:00:09.150 align:middle line:90%


00:00:09.150 --> 00:00:09.835 align:middle line:90%
Hello, Solveig.

00:00:09.835 --> 00:00:10.970 align:middle line:90%
Hello.

00:00:10.970 --> 00:00:14.330 align:middle line:84%
Now we have been talking
about data management and also

00:00:14.330 --> 00:00:15.710 align:middle line:90%
some privacy issues.

00:00:15.710 --> 00:00:18.770 align:middle line:84%
And there are also
some copyright issues

00:00:18.770 --> 00:00:20.240 align:middle line:84%
that we need to
think about when we

00:00:20.240 --> 00:00:23.810 align:middle line:84%
are doing this type
of empirical research.

00:00:23.810 --> 00:00:25.850 align:middle line:84%
And now I'm very
happy to stand here

00:00:25.850 --> 00:00:28.790 align:middle line:84%
with Solveig, who's
a librarian and also

00:00:28.790 --> 00:00:30.530 align:middle line:90%
a musician and composer.

00:00:30.530 --> 00:00:33.950 align:middle line:84%
So you know about copyright from
many different perspectives.

00:00:33.950 --> 00:00:37.550 align:middle line:84%
And what are some of the
things that researchers

00:00:37.550 --> 00:00:39.830 align:middle line:84%
need to think about
when they are dealing

00:00:39.830 --> 00:00:42.620 align:middle line:90%
with copyright in various ways?

00:00:42.620 --> 00:00:47.030 align:middle line:84%
OK, so a researcher might want
to include some data that is

00:00:47.030 --> 00:00:49.010 align:middle line:90%
actually copyrighted material.

00:00:49.010 --> 00:00:54.740 align:middle line:84%
It could be a choreography or
an artwork or a piece of music.

00:00:54.740 --> 00:00:57.950 align:middle line:84%
And it would be copyrighted
even if it's their own music

00:00:57.950 --> 00:01:00.410 align:middle line:90%
that they are improvising.

00:01:00.410 --> 00:01:03.290 align:middle line:90%
And intellectual rights has a--

00:01:03.290 --> 00:01:05.180 align:middle line:84%
there's an [? ideal ?]
part and there's also

00:01:05.180 --> 00:01:06.240 align:middle line:90%
an economical part.

00:01:06.240 --> 00:01:08.780 align:middle line:84%
And many countries have what
we call performance rights

00:01:08.780 --> 00:01:12.540 align:middle line:84%
organisations, and they
handle the economical bit.

00:01:12.540 --> 00:01:16.760 align:middle line:84%
So if you wanted to include some
musician improvising on guitar,

00:01:16.760 --> 00:01:19.100 align:middle line:84%
for instance,
chances are that you

00:01:19.100 --> 00:01:21.140 align:middle line:90%
will have to pay for this use.

00:01:21.140 --> 00:01:24.650 align:middle line:84%
And it could be pretty
costly, especially

00:01:24.650 --> 00:01:27.140 align:middle line:90%
if it's video material.

00:01:27.140 --> 00:01:29.360 align:middle line:84%
And I guess one of
the rules of thumb

00:01:29.360 --> 00:01:31.460 align:middle line:84%
here is to ask for
permission, of course.

00:01:31.460 --> 00:01:33.920 align:middle line:84%
But sometimes it's not
even so easy to figure out

00:01:33.920 --> 00:01:36.050 align:middle line:84%
who you should ask for
because you don't really--

00:01:36.050 --> 00:01:39.770 align:middle line:84%
you may not know who's actually
the creator of an artwork.

00:01:39.770 --> 00:01:40.700 align:middle line:90%
Yeah, that's right.

00:01:40.700 --> 00:01:44.150 align:middle line:84%
And the PROs are designed to
protect their members, who

00:01:44.150 --> 00:01:45.740 align:middle line:90%
are copyright holders.

00:01:45.740 --> 00:01:48.590 align:middle line:84%
And in many cases,
the right holders

00:01:48.590 --> 00:01:51.560 align:middle line:84%
are not even allowed
to give an open licence

00:01:51.560 --> 00:01:53.687 align:middle line:90%
for their own work.

00:01:53.687 --> 00:01:55.520 align:middle line:84%
And this is-- it's
designed to protect them.

00:01:55.520 --> 00:01:57.500 align:middle line:84%
But sometimes when
it comes to research,

00:01:57.500 --> 00:02:00.710 align:middle line:90%
it can make it very complicated.

00:02:00.710 --> 00:02:03.290 align:middle line:84%
And maybe you are required by
your institution or your funder

00:02:03.290 --> 00:02:05.870 align:middle line:84%
to publish things
as open science,

00:02:05.870 --> 00:02:07.430 align:middle line:84%
and then you could
run into problems

00:02:07.430 --> 00:02:10.280 align:middle line:84%
if you wanted to use
copyrighted material.

00:02:10.280 --> 00:02:11.960 align:middle line:90%
And it could be by--

00:02:11.960 --> 00:02:15.200 align:middle line:84%
as you said, it's not always
easy to know who owns it.

00:02:15.200 --> 00:02:18.530 align:middle line:84%
It could be one or
several composers.

00:02:18.530 --> 00:02:22.030 align:middle line:84%
Some of them are alive
and some are not.

00:02:22.030 --> 00:02:24.260 align:middle line:84%
And then you will need
to acquire permission

00:02:24.260 --> 00:02:25.970 align:middle line:90%
from whoever owns it now.

00:02:25.970 --> 00:02:28.100 align:middle line:84%
And it could also be
somebody who is improvising,

00:02:28.100 --> 00:02:30.470 align:middle line:84%
and then they will
be the right holders.

00:02:30.470 --> 00:02:35.270 align:middle line:84%
So it's-- you will have to look
into a good contract that gives

00:02:35.270 --> 00:02:38.840 align:middle line:84%
you the right
permissions, at least.

00:02:38.840 --> 00:02:41.840 align:middle line:84%
And that's for other people's
copyrighted material.

00:02:41.840 --> 00:02:44.120 align:middle line:84%
But also as a
researcher, you may also

00:02:44.120 --> 00:02:46.490 align:middle line:84%
generate new data
and media that could

00:02:46.490 --> 00:02:47.720 align:middle line:90%
be copyrighted on its own.

00:02:47.720 --> 00:02:49.650 align:middle line:90%
And how do you deal with that?

00:02:49.650 --> 00:02:52.700 align:middle line:84%
Yeah, it's important to
find the kind of licence

00:02:52.700 --> 00:02:55.910 align:middle line:84%
that you want to
use quite early on.

00:02:55.910 --> 00:02:59.570 align:middle line:84%
I think you are already
talking about data management

00:02:59.570 --> 00:03:02.390 align:middle line:90%
and persistent identifiers.

00:03:02.390 --> 00:03:05.210 align:middle line:84%
And in this early phase,
it's also really good

00:03:05.210 --> 00:03:07.898 align:middle line:84%
to have a good thought
thinking about how

00:03:07.898 --> 00:03:10.190 align:middle line:84%
you want to licence your own
work, do you want to do it

00:03:10.190 --> 00:03:13.820 align:middle line:84%
as a Creative Commons, and
what kinds of Creative Commons

00:03:13.820 --> 00:03:15.930 align:middle line:84%
licence would be
the best for you,

00:03:15.930 --> 00:03:17.930 align:middle line:84%
do you want to make sure
that you are attributed

00:03:17.930 --> 00:03:20.900 align:middle line:84%
in the future, and
things like that.

00:03:20.900 --> 00:03:23.075 align:middle line:84%
It's very important to
think of these things.

00:03:23.075 --> 00:03:24.950 align:middle line:84%
And Creative Commons is
a good starting point

00:03:24.950 --> 00:03:27.290 align:middle line:84%
because it's international
and standardised.

00:03:27.290 --> 00:03:29.270 align:middle line:84%
So as we see, there
are quite a lot

00:03:29.270 --> 00:03:32.090 align:middle line:84%
of things to think about
when it comes to copyright.

00:03:32.090 --> 00:03:34.160 align:middle line:84%
And I guess the most
important things

00:03:34.160 --> 00:03:39.020 align:middle line:84%
are to really think about
it, to start with, and also

00:03:39.020 --> 00:03:41.660 align:middle line:84%
check the creators on
the copyrighted material

00:03:41.660 --> 00:03:44.960 align:middle line:84%
that we are using and also to
put a licence on your own work.

00:03:44.960 --> 00:03:48.310 align:middle line:90%
[MUSIC PLAYING]

00:03:48.310 --> 00:03:54.000 align:middle line:90%