WEBVTT 00:00:00.000 --> 00:00:05.630 align:middle line:90% 00:00:05.630 --> 00:00:06.130 align:middle line:90% OK. 00:00:06.130 --> 00:00:09.490 align:middle line:84% Now we are actually at the end of this RITMO course 00:00:09.490 --> 00:00:10.840 align:middle line:90% on motion capture. 00:00:10.840 --> 00:00:14.860 align:middle line:84% And we have been going through how the body works, 00:00:14.860 --> 00:00:17.120 align:middle line:84% how we can name the different parts of the body, 00:00:17.120 --> 00:00:19.910 align:middle line:84% different types of technologies-- motion capture, 00:00:19.910 --> 00:00:22.810 align:middle line:84% EMG, accelerometry, video analysis. 00:00:22.810 --> 00:00:25.810 align:middle line:84% And we have also been looking at some specific use 00:00:25.810 --> 00:00:29.550 align:middle line:84% cases of these technologies in various types of research. 00:00:29.550 --> 00:00:33.550 align:middle line:84% And to wrap these things up, what 00:00:33.550 --> 00:00:35.770 align:middle line:84% is kind of our main message of all of this? 00:00:35.770 --> 00:00:39.040 align:middle line:84% Why should people use motion capture, 00:00:39.040 --> 00:00:42.235 align:middle line:90% and why is it useful again? 00:00:42.235 --> 00:00:45.010 align:middle line:84% Well, I'd like to sort of emphasise, 00:00:45.010 --> 00:00:47.920 align:middle line:84% at least from the perspective of music cognition, which 00:00:47.920 --> 00:00:51.190 align:middle line:84% is my field, like really the importance 00:00:51.190 --> 00:00:52.990 align:middle line:84% of the body and understanding how 00:00:52.990 --> 00:00:56.770 align:middle line:84% the body plays into different kinds of musical processes. 00:00:56.770 --> 00:00:59.050 align:middle line:84% Whether that's communicative processes 00:00:59.050 --> 00:01:03.520 align:middle line:84% or just kind of meaning making of music, 00:01:03.520 --> 00:01:07.990 align:middle line:84% making sense of music, experiencing music, enjoying 00:01:07.990 --> 00:01:08.620 align:middle line:90% music-- 00:01:08.620 --> 00:01:13.810 align:middle line:84% how all these things can be reflected in bodily motion 00:01:13.810 --> 00:01:15.740 align:middle line:90% or body movement. 00:01:15.740 --> 00:01:19.450 align:middle line:84% And I guess this, again, kind of relates back 00:01:19.450 --> 00:01:22.120 align:middle line:84% to one of the challenges that we have with motion capture 00:01:22.120 --> 00:01:25.060 align:middle line:84% is the kind of the variety of different kinds of context 00:01:25.060 --> 00:01:27.070 align:middle line:84% in which we could study body motion 00:01:27.070 --> 00:01:31.420 align:middle line:84% and all this need to balance between 00:01:31.420 --> 00:01:34.390 align:middle line:84% the ecological validity-- trying to study 00:01:34.390 --> 00:01:36.555 align:middle line:84% the phenomenon in its actual environment 00:01:36.555 --> 00:01:38.680 align:middle line:84% or having the environment as realistic as possible, 00:01:38.680 --> 00:01:44.845 align:middle line:84% versus having some degree of control over the circumstances. 00:01:44.845 --> 00:01:46.277 align:middle line:90% And which one is better? 00:01:46.277 --> 00:01:47.090 align:middle line:90% Exactly. 00:01:47.090 --> 00:01:47.905 align:middle line:90% Exactly. 00:01:47.905 --> 00:01:49.750 align:middle line:84% So these are the sort of dilemmas 00:01:49.750 --> 00:01:52.110 align:middle line:84% we have to really weigh on a daily basis, 00:01:52.110 --> 00:01:55.580 align:middle line:84% always, when we're approaching a specific research topic. 00:01:55.580 --> 00:01:58.270 align:middle line:84% It really depends on the exact question 00:01:58.270 --> 00:02:00.220 align:middle line:84% that you want to answer, which is 00:02:00.220 --> 00:02:02.710 align:middle line:84% sort of a combination of different settings, 00:02:02.710 --> 00:02:05.740 align:middle line:84% different motion capture methods. 00:02:05.740 --> 00:02:09.074 align:middle line:84% It's really the most suitable to answer your question. 00:02:09.074 --> 00:02:12.880 align:middle line:84% So because in the research that we are doing at RITMO, often 00:02:12.880 --> 00:02:16.450 align:middle line:84% we use many different types of data capturing methods 00:02:16.450 --> 00:02:19.000 align:middle line:84% and different types of motion capture and physiological 00:02:19.000 --> 00:02:20.740 align:middle line:90% measurements at the same time. 00:02:20.740 --> 00:02:23.470 align:middle line:84% And also often combining both qualitative and quantitative 00:02:23.470 --> 00:02:25.630 align:middle line:90% ways of analysing these things. 00:02:25.630 --> 00:02:28.300 align:middle line:84% Because I guess what we have learned through the years 00:02:28.300 --> 00:02:30.828 align:middle line:84% is that it's not really one or the other. 00:02:30.828 --> 00:02:32.620 align:middle line:84% It's really the combination of these things 00:02:32.620 --> 00:02:34.520 align:middle line:84% which makes it interesting, right? 00:02:34.520 --> 00:02:35.090 align:middle line:90% Absolutely. 00:02:35.090 --> 00:02:37.420 align:middle line:84% And when you get the most sort of-- 00:02:37.420 --> 00:02:41.230 align:middle line:84% the fullest picture or the most kind of complimentary 00:02:41.230 --> 00:02:44.170 align:middle line:84% or comprehensive type of information about a phenomenon 00:02:44.170 --> 00:02:47.230 align:middle line:84% is when you actually combining the different methods of both 00:02:47.230 --> 00:02:50.627 align:middle line:84% collecting data as well as analysing it. 00:02:50.627 --> 00:02:52.510 align:middle line:84% And that's perhaps also another thing 00:02:52.510 --> 00:02:54.218 align:middle line:84% that we have learned throughout this year 00:02:54.218 --> 00:02:57.340 align:middle line:84% is really that often we talk about a collaborative effort. 00:02:57.340 --> 00:03:00.910 align:middle line:84% Because doing the types of the things that we often want to do 00:03:00.910 --> 00:03:02.080 align:middle line:90% requires a lot of people. 00:03:02.080 --> 00:03:04.085 align:middle line:84% It requires a lot of equipment, but it also 00:03:04.085 --> 00:03:05.710 align:middle line:84% requires a lot of people and knowledge. 00:03:05.710 --> 00:03:07.335 align:middle line:84% And that's also why we are very focused 00:03:07.335 --> 00:03:10.570 align:middle line:84% now on trying to teach these things better, 00:03:10.570 --> 00:03:13.870 align:middle line:84% because we are combining methods that are not otherwise 00:03:13.870 --> 00:03:16.468 align:middle line:90% usually so easily combined. 00:03:16.468 --> 00:03:18.010 align:middle line:84% And that's also what we're struggling 00:03:18.010 --> 00:03:19.180 align:middle line:84% from a technological perspective, 00:03:19.180 --> 00:03:21.160 align:middle line:84% but also from a more general conceptual level, 00:03:21.160 --> 00:03:23.290 align:middle line:84% struggling to figure out how we need to combine 00:03:23.290 --> 00:03:25.280 align:middle line:90% these things together. 00:03:25.280 --> 00:03:27.843 align:middle line:84% So that's one of the reasons we're 00:03:27.843 --> 00:03:30.010 align:middle line:84% focused on motion capture in this particular course. 00:03:30.010 --> 00:03:34.120 align:middle line:84% But we have other courses also in the RITMO course series 00:03:34.120 --> 00:03:37.955 align:middle line:84% where you're also able to learn about EEG, eye tracking, 00:03:37.955 --> 00:03:39.590 align:middle line:90% pupillometry as well. 00:03:39.590 --> 00:03:42.590 align:middle line:84% So if you haven't taken those courses already, 00:03:42.590 --> 00:03:46.050 align:middle line:84% then you can go and check them out as well. 00:03:46.050 --> 00:03:53.000 align:middle line:90%