Pensum/l?ringskrav

Ambrose, T. and C. Paine, Unit 27 Briefing a designer, in Museum basics, T. Ambrose and C. Paine, Editors. 1993, Routledge. p. 95-100.

Ambrose, T. and C. Paine, Unit 28 Exhibition design and production, in Museum basics, T. Ambrose and C. Paine, Editors. 1993, Routledge. p. 100-106.

Ambrose, T. and C. Paine, Unit 29 Evaluating exhibitions, in Museum basics, T. Ambrose and C. Paine, Editors. 1993, Routledge. p. 1006-111.

Balch, P., Proceedings, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 304-307.

Banik, G., Dentist, cook and washerwoman. Models for training co-operative skills in conservation science and practical restoration, in 25 years. School of Conservation the Jubilee Symposium. Preprints 18-20 May 1998. 1998, Konservatorskolen. Det Kongelige Danske Kunstakademi. p. 29-37.

Barclay, M.H. An Art Gallery Conservator: Roles and Responsibilities. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada.

Beunen, A., _Proceedings", in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 412-413.

Bocusmeester, W., Displayed Conservation Design with Conservation in mind, in Museum Practice, Issue 2, 1996.

Bomford, David, Changing taste in the restoration of paintings. British Museum Occasional Papers nr. 99, pp. 33-40, 1994.

Bonetti, S. The Conservator. 2003. http://128.97.6.202/urkeshpublic/715c%20revised.htm

Brooks, M., Restoration and conservation - issues for conservators: a textile conservation perspective, in Restoration: Is It Acceptable?, A. Oddy, Editor. 1999, British Museum. Department of Conservation. p. 103-114.

Cannon-Brookes, P., Ch 5. The role of the scholar-curator in conservation, in Care of Collections, S. Knell, Editor. 1994, Routledge. p. 47-50.

Caple, C., Conservation Skills: Judgment, Method and Decision Making. 2000: Routledge. Chapter 13. (studentene skal kopiere selv)

Cassar, M., Managing resources, in Environmental Management. Guidelines for Museums and Galleries, M.G. Commission, Editor. 1997, Routledge: London and New York. p. 3-13.

Child, Robert. Putting thing in context. The ethics of working collections. British Museum occational paper 99. Restoration: is it aceptable. (ed.) A. Oddy, London 1994. p-139-143.

Clavir, M., Reflections on changes in museums and the conservation of collections from indigenous peoples. JAIC, 1996. 35: p. 99-107.

Cornell, Berne Convention for the protection of literary and artistic works (Paris 1971). Article 14tr, 9, 6bis, 27. 1971. p. 5.

Cronyn, J.M., Introducing archaeological conservation, in The Elements of Archaeological Conservation. 1996, Routledge: London and New York. p. 1-13.

Curnoe, G. Owning Ideas, Appropriation, and Protective Collectives (Locking the Door While the House is Being Stolen). in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p. 136-140.

Display Criteria, in Museum Practice, Issue 2, 1996.

Dreier, T., Restoration and moral rights of the artist under comparative law, in The restoration of works of art, s. Centre du droit de l'art (Geneva, Editor. 1995, Schulthess Polygraphischer Verlag. p. 107-123.

Drysdale, L. The eternal triangle: relationships between conservators, their clients, and objects. in UKIC 30th Anniversary Conference. 1988: UKIC. p.18-20.

Edmonds, P. and E. Wild. New obligations: conservation policy and treatment approaches for aboriginal collections in Bunjilka. The Aboriginal Centre, Melbourne. in IIC. Tradition and innovation. Advances in conservation. 2000. Melbourne. p.60-64.

Falmouth Art Gallery Collections Management Policy, http://www.msim.org.uk/uploadedDocs/Collecting%20Policy%202000.pdf

Federsspiel, B., The Definition of the Conservation Profession and its Field of Operation: Issues in the 21st Century. Past Practice - Future Prospects, ed. A. Oddy and S. Smith. Vol. Number 145. 2001: The British Museum. 75-79.

Forder, C., The necessary details of a written conservation contract, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 411-413.

Frost, M. Working with design professionals: preventive conservators as problem solvers, not problem creators. in IIC. Preventive conservation practice, theory and research. 1994. Ottawa.p. 21-23.

Gallagher, M., Under the Surface, in Museums Journal, January 2004, p. 24-26.

Gathercole, Peter. Cultural restrains in the handling of objects III:Discussion. Museum Responsibilities II. Where to start, where to stop? Papers from the British Museum/ MEG ethnographic conservation colloquium. 1995: Museum Ethnographers Group. p. 36-41

Gillman, D. Cultural restraints in the handling of objects: museum responsibilities I. in "Where to start, where to stop?" Papers from the British Museum/ MEG ethnographic conservation colloquium. 1995: Museum Ethnographers Group. p. 32-34.

Hansen-Bauer, Francoise."Etikk som kompetent og s?kende uro" Museumsnytt, ?rgang 50, nr 3 2001. S 26-27.

Harris, Lesley E. Copyright: Policy Maker`s Point of View. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p. 141-144.

Henderson, Jane and Diane Dollery. _Growing pains - development of a conservation profession-. p 88-91.

Henderson, J., New Skills New Influence. Past Practice - Future Prospects, ed. A. Oddy and S. Smith. Vol. Number 145. 2001: The British Museum. 103-108.

Hill, C.C. Museum Curator: Roles and Responsibilities. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p.- 19-23.

Hoeninger, C.S., Aesthetic Unity or Conservation Honesty? Four Generations of Wall-Painting Restorers in Italy and the Changing Approaches to Loss 1850-1970. Past Practice - Future Prospects, ed. A. Oddy and S. Smith. Vol. Number 145. 2001: The British Museum. 115-122. (rediger) (rediger)

ICOM and the Inernational Security Committee, Protection, security and conservation of collections in Collections Management, ed. Fahy, A., 1995, Routledge, London, p. 251-273.

IIC, Indigenous perspectives on conservation. IIC Bulletin, 1992. 17 No. 3: p. 1-4.

Idiens, D.:Cultural Restraits in the handling of objects, Museum Responsibilities II. Where to start, where to stop? Papers from the British Museum/ MEG ethnographic conservation colloquium. 1995: Museum Ethnographers Group. p. 35-36.

Kabel, J., Copyright and conflicting interests, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 406-12.

Keene, Susanne: "Objects as systems: A new challenge for conservation" In _Restoration is it Acceptable" A. Oddy (ed.) London 1994. Pp 19-25.

Koltun, L. Conservation Policies: Three Tests for Their Usefulness. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p.-128-135.

Larsen, R., The science of conservation - restoration, in 25 years. School of Conservation the Jubilee Symposium. Preprints 18-20 May 1998. 1998, Konservatorskolen. Det Kongelige Danske Kunstakademi. p. 77-85.

Lawrence, S. Conservation Policies for Museums. in Shared Responsibility. :A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p. 121-127.

Maaranen, P. Questions of management planning and preventive conservation. Concerning the site management of the archaeological cultural heritage of Finland. in Conservation without limits. IIC Nordic Group XV Congress. 2000. Helsinki: Preprints. p. 137-145.

Magor, L. An Artist’s Thoughts on Conservation and Curatorial Issues. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p. 6-11.

Mancusi-Ungaro, Carol. Orginal intent: the artis`s vioce in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 391-393.

McCarthy, A Marriage of Conservation and Archaeology Tested: The Results After 14 years. AICCM Bulletin, 1989: p. 16-22.

McCrady, E.R., Can Scientists and Conservators work together? in British Museum Occasional Paper, Number 116, ed. Bradley, S., 1997. British Museum Press, London, p. 243-247.

McGowan, G.S. and C.J. LaRoche, The ethical dilemma facing conservation: care and treatment of human skeletal remains and mortuary objects. JAIC, 1996. 35: p. 109-21.

McLean, F., The Museum Context Chapter, in Marketing the Museum, 1997, Routledge, London and New York, p. 9-35.

Merill, R. Conservation in Institutions Today: How It Differs from the Past. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada.p. 170-173.

Ministry of Culture, Ontario, Developing a Conservation Policy for the Museum, http://www.culture.gov.on.ca/english/culdiv/heritage/munote4.htm

Morris, J., Dead but not buried, in Museums Journal, December 2003, p. 12-13.

Nemiroff, D. Copyright: A Museums Curator’s Point of View. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p.- 145-148.

NMU, Utl?n og avhending av materiale for museenes samlinger, kapittel 1, p. 3-13.

Oddy, A. Ch 10. The conservation staffing requirements of a large cultural history museum. in ICOM. The graduate conservator in employment: expectations and realities. 1990. Opleiding Restauratoren, Amsterdam, The Netherlands. p. 99-105.

Oddy, A. in British Museum occational paper 99. Restoration: is it aceptable. (ed.) A. Oddy, London 1994. p 3-8.

Odegaard, N., Artists intent: material culture studies and conservation. JAIC, 1995. 34: p. 187-93.

Otterbeck, B., How durable is video art, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 301-304.

Peers, L., Relative Values, in Museums Journal, September 2004, p. 18-19.

Petovic, Daniela. Proceednings group I in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 396-399.

Pullen, D., The challenges of dual role, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 300-301. (rediger)

Pye, Elizabeth. Caring for human Remains - A developing concern?. Past Prachice - Fstore Prospects. Oddy (ed,) BM occasional Papers No 145 2001. p.171-176.

Pye, E., Ch 8. Working relations, Ch 10. Communicating Conservation., in Caring for the past. Issues in conservation, archaeology and museums. 2001, JamesXJames. p. 149-165. (studentene skal kopiere selv)

Rebora, C., Ch23. Curators closet, in Care of Collections, S. Knell, Editor. 1994, Routledge. p. 197-201.

Rose, W., Making the most of collections, in Museums Practice, Issue 4, 1997, p. 14-15.

Shashoua, Y., Leave it to the experts? in British Museum Occasional Paper, ed. Bradley, S., Number 6, 1997, British Museum Press, London, p. 231-236.

Smith, B. Shared Responsibility: Welcome and Introduction. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p.1-5.

Sola, T., Museums and curatorship: the role of theory, in The museums profession: Internal and external relations, G. Kavanagh, Editor. 1991, Leicester University Press. p. 127-135.

Steel, P., Close to the bone, in Museums Journal, August 2004, p. 22-25.

Stone, T. Copyright and Conservation. in Shared Responsibility. A seminar for curators and conservators. 1990. Ottawa, Canada: National Gallery of Canada. p.149-152.

Stringari, C., Installations and problems of preservation, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 272-281.

Sturman, Shelley. Necessary dialogue: The artist as partner in conservation In Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 393-396. The Vermillion Accord on Human Remains. www.uct.ac.za/archive/content/vermillionaccord.html

Thistle, P.C., Ch 22. Visible storage for the small museum, in Care of Collections, S. Knell, Editor. 1994, Routledge. p. 187-196.

Vinas, Salvador Munoz. Contemporary theory of conservation. Revievs in conservation Number 3, 2002. P- 25-34.

Van de Wetering, E., Conservation-restoration ethics and the problem of modern art, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 247-249.

Van der Elst, Caroline & Alan Phenix. Proceedings. In Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p.402-405.

Van der Wetering, E., The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts, in Historical and Philosophical Issues in conservation of Cultural Heritage, P. Stanley, et al., Editors. 1996, The Getty Conservation Institute. p. 193-199.

Van Wegen, D.H., Between fetish and score: The position of the curator of contemporary art, in Modern art: who cares? An interdisciplinary research project and an international symposium on the conservator of modern and cotemporary art., I. Hummelen and D. Sillè, Editors. 1999, The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage: Amsterdam. p. 201-221. (rediger) (rediger)

Publisert 7. mars 2005 16:08