PENSUM KUN 1001
ANTIKKEN:
F. Sear, Roman Architecture, London: Routledge 1998, S.10-184. 213-218. 231-276. = 226 sider.
Diana E. E. Kleiner, Roman Sculpture, New haven – London: Yale University Press 1992, s. 1-17. 27-47. 59-71. 90-102. 123-141. 161-163. 171-179. 183-192. 202-203. 207-223. 237-241. 251-254. 261-263. 267-277. 285-301. 312-313. 317-325. 329-332. 351-353. 358-375. 392-395. 399-407. 425-427. 444-455. =. 230 sider
Bente Kiilerich, Gr?sk Skulptur, K?benhavn: Gyldendal 2002, s.12-213. 202 sider
W. Lawrence, Greek Architecture, Yale University Press 1996, s.58-211. (154 sider)
Fra jstor.org:
- Painting in Rome and Pompeii Source: The Metropolitan Museum of Art Bulletin, New Series, Vol. 45, No. 3 (Winter, 1987- 1988),s.. 3-16 URL: http://www.jstor.org/stable/3269139
- The Paintings in the Alae of the Casa dei Vettii and a Definition of the Fourth Pompeian Style Author(s): William C. Archer Source: American Journal of Archaeology, Vol. 94, No. 1 (Jan., 1990), s.. 95-123 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/505527
- Origins of Roman Landscape Painting Author(s): Karl Schefold Source: The Art Bulletin, Vol. 42, No. 2 (Jun., 1960), s. 87-96 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3047888
- The Formation of a Roman Style in Wall Painting Author(s): Alan M. G. Little Source: American Journal of Archaeology, Vol. 49, No. 2 (Apr. - Jun., 1945), pp. 134-142 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/499697
MIDDELALDER:
Brekke, N.G., Per Jonas Nordhagen, Siri Skjold Lexau: Norsk arkitekturhistorie. Fr? steinalder og bronsealder til det 21. hundre?ret. Oslo 2003, kap. 5 og 6. 64 s.
Danbolt, Gunnar: Norsk kunsthistorie. Bilde og skulptur fr? vikingtida til i dag (2. utg?va). Oslo 2004,kap. "Vikingtid og tidleg middelalder" og "Middelalder" s. 14-78. 64 s.
Luttikhuizen, Henryk, Dorothy Verkerk: Snyder’s Medieval Art. Upper Saddle River NJ 2006 (2nd ed.). 468 s.
* Kidson, Peter: ”Panofsky, Suger and St. Denis”. Journal of the Warburg and Courtauld Institutes 50 (1987), s. 1–17. 17 s. URL: http://www.jstor.org/stable/751314
¤ Panofsky, Erwin: ”Abbot Suger of St. Denis”. Meaning in the Visual Arts. London 1955 el. senare utg. 36 s.
Gotfredsen, Lise, Hans J?rgen Frederiksen: Troens billeder. Romansk kunst i Danmark. K?benhavn 2003. s. 9–219 = 210 s.
NB! Alternativ til Gotfredsen: Signe Fuglesang: Middelalderens bilder, utsmykningen av koret i ?l stavkirke, Cappelens forlag 1996. (ligger i Fronter p? fellesrommet)Alternativt p? nettet; Nasjonalbiblioteket: http://www.nb.no/utlevering/nb/d7e51a9dc30f47bbedc50f684bbad355#&struct=DIV24
= Ca. 865 s.
* = lastes ner fra jstor
¤ = artikkel tilgjengelig i Fronter
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RENESSANSEN:
-James Snyder: Northern Renaissance Art, Harry N. Prentice Hall Inc.,Pearson,2005: kap. 5-8, kap. 10, kap.13-19, kap. 21-22, Tilsammen 313s.
-John T.Paoletti & Gary M.Radke: Art in Renaissance Italy, Laurence King Publishing, London 2005: Introduction: s. 12-45; Kapitlene 5-25 (resten av boken):s. 99-547. Tilsammen= 479 sider.
-Michael Baxandall: Painting and Experience in Fifteenth Century Italy, Oxford University Press, London, 1972 og senere utgaver. Del II: The Period Eye, s.29-108. (Tilsammen = 80 sider.
Anthony Blunt: Artistic Theory in Italiy 1450-1600, Oxford Clarendon Press, 1962 (160 sider)
Til sammen ca. 2580/2760 sider