Texts marked * can be bought in the museum shop, University Museum of Cultural Heritage (Historical Museum), Oslo
Texts marked § are printed in a compendium, part 1.
Texts marked # are printed in compendium, Part 2.
Architecture
*Sj?vold, Thorleif: The Viking Ships in Oslo, 1985. Oslo : Universitetets Oldsaksamling. pp. 22-52.
§Hauglid, Roar: Norwegian Stave Churches, 1990. Oslo : Dreyer. pp. 5-106.
§Kavli, Guthorm: Norwegian Architecture. Past and Present, 1958. Oslo : Dreyer. Ch. 3-4 pp. 22-34; Ch. 6-12 pp. 49-104; Pl. 4-7; 12-23.
§Anderson, Aron: The Art of Scandinavia. Vol. 2, 1970. London : Hamlyn . Ch. ”St Olaf’s sanctuary at Trondheim and the earliest stone architecture in Norway” pp. 149-167, 179-180, Pl. 111-133.
§Nordberg-Schultz, Christian: Modern Norwegian Architecture, 1986. Oslo : Universitetsforlaget . pp. 21-149.
Sculpture and painting
*Horgen, Randi (ed.); Nygaard, Edith Marie, Hammervold, Alf: The Medieval Gallery in the Historical Museum, 2000. University Museum of Cultural Heritage, Oslo. Ch. 1, 2, 3 pp. 7-41.
Achen, Henrik von: Church Art, 1998. Bergen Museum. pp. 1-43.
#Achen, Henrik von: Norwegian Medieval Altar Frontals in Bergen Museum, 1996. Bergen : Bergen Museum . pp. 18-26; 36, 38-40, 42-43, 68, 70-71, 100, 102-103.
#Malmanger, Magne: One Hundred Years of Norwegian Painting, 1988. Oslo : Nasjonalgalleriet. pp. 5-127.
#Malmanger, Magne ”The Flight of Time and the Unique Event. Adolph Tidemand in Search of the Norwegian People” i: Der aander en tindrende Sommerluft varmt over Hardangerfjords Vande... Tidemand & Gude [Exhibition catalogue] , 2003. Oslo : Nasjonalgalleriet . pp. 194-201; ill. pp. 16, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31..
#Ydstie, Ingebj?rg ”Thundering Waterfalls and Mighty Cascades. The Waterfall from Typology to Topology” i: Levande vatn. Fossen som natur og symbol [Living Water. The Waterfall as Nature and Symbol], 1999. Baroniet Rosendal . pp. 38-52; ill. pp. 26, 27. [19 p.].
#Eggum, Arne: Edvard Munch : The Frieze of Life from Painting to Graphic Art, 2000. Oslo : Stenersen . “Introduction”, pp. 8-21.
Bjerke, ?ivind Storm : Edvard Munch and Harald Sohlberg : Landscapes of the Mind, 1995. New York : National Academy of Design. pp. 18-48, plates pp. 125, 127, 129, 136, 130, 135, 137.
#Bringaker, Frithjof “Transformations of Love. Mythos and Eros in Vigeland’s Art” in: Eros in the Art of Gustav Vigeland [Exhibition cat.] , 1996. Vigelandsmuseets skrifter nr. 11. Oslo : Dreyer. pp. 8, 10, 14, 16-24.
Carling, J?rgen and Solveig Broch: The Oslo City Hall : History, Art and the Nobel Peace Prize, 1995. Oslo : Normanns Kunstforlag . pp. 6-15, 24-29.
Okkenhaug, Eli "Surrealismen, et norsk intermesso" [Surrealism, a Norwegian Intermezzo]. Summary. in: Uroen og begj?ret. Surrealisme i Skandinavia 1930-1950, 2004. Bergen : Bergen Kunstmuseum . pp. 48-49, Fig. 1-20.
Bjerke, ?ivind Storm “Bendik Riis. Ousider – or a typical Norwegian artist’s career?” in : Siksi, No. 4, 1994. pp. 55-58.
Gjessing, Steinar ”Figuration and Space in Norwegian Art of the Postwar Era” in : Fokus 1950. Norsk billedkunst i etterkrigstiden, Eckhoff, Audun (ed.) 1998. Museet for Samtidskunst. Oslo : Spartacus . pp. 80-88, plates pp. 10-27, pl. 2.1, 2.9, 2.18, 2.20, 2.22, 2.24, 2.26, 2.29, 2.32, 2.44, 2.59, 2.60, 2.69, 2.70, 2.79, 2.93.
Brun, Hans-Jakob: Norwegian Contemporary Art, http://odin.dep.no/odin/engelsk/history/032005-990472/dok-bu.html.
Steihaug, Jon-Ove: “Odd Nerdrum in Context”, No. 2, 1993. Siksi. pp. 32-34.
Steihaug, Jon-Ove: “When ‘Nothing’ ‘Happens’. Concentration and stillness in the performance art of Kurt Johannessen", No. 4, 1994. Siksi. pp. 42-43.
Eri, Inger: Per Inge Bj?rlo’s Potential Space, 2001. Oslo : The National Museum of Contemporary Art. pp. 18-26 (+ pictures pp. 3, 5, 7, 8, 10, 11, 13, 15).
Ustvedt, ?ystein: Olav Christopher Jenssen : Biography. Works 1982-1997, 1997. Oslo : Astrup Fearnley Museet for Moderne Kunst. pp. 108-109, 112, 118-119, 121, 125, 135, 137, 139-147.
Total amount of pages: 856