Sidetall: 1114 s.
D’Alleva, Anne. Methods & Theories of Art History (London: Laurence King Publishing, 2005), 172 s.
Gombrich, E.H. Art and Illusion. A Study in the Psychology of Pictorial Representation. (New York 1961 og senere utg.: ”Introduction” + kap. I, II, IV–IX (s. 3–8, 29–78, 154 –278). 180 s.
Hatt, Michael og Charlotte Klonk. Art History: A Critical Introduction to its Methods (Manchester: Manchester University Press, 2006). 65-222. 157 s.
Nochlin, Linda. Hvorfor har det ikke v?rt noen store kvinnelige kunstnere? (Oslo: Pax forlag, 2002). 7-100 (“Hvorfor har det ikke v?rt noen store kvinnelige kunstnere” + “Berthe Morisots ‘Ammen’: Konstruksjon av arbeid og fritid i impresjonistisk maleri”), 92 s.
Kompendium
Alpers, Svetlana. The Art of Describing: Dutch Art in the Seventeenth Century (London: John Murray, 1983). Xvii-xxvii (Introduction), 10 s.
Bryson, Norman. “The Gaze in the Expanded Field”, i Vision and Visuality: Discussions in Contemporary Culture, red. Hal Foster (Seattle: Bay Press, 1988). 87-108, 21 s.
Clark, T. J. “Cubism and Collectivity”, I Farewell to an Idea: Episodes from a History of Modernism (New Haven: Yale University Press, 1999). 169-223, 54 s.
Dikovitskaya, Margaret. Visual Culture: The Study of the Visual after the Cultural Turn (Cambridge, Mass.: The MIT Press, 2005). 1-84, 84 s.
Freedberg, David. The Power of Images: Studies in the History and Theory of Response (Chicago: The University of Chicago Press, 1989). Xix-xxv; 1-26 (Introduction + “The Power of Images”), 32 s.
Krauss, Rosalinda. “In the Name of Picasso”, i October, vol. 16 (1981). 5-22, 17 s.
Krieger, Murray. “The Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective”, i Critical Inquiry, vol. 11, nr 2 (1984). 181-194, 13 s.
Mattickm Paul Jr. “Context”, i Critical Terms for Art History, red. Robert S. Nelson og Richard Shiff (Chicago og London: 2003). 110-127, 17 s.
Mitchell, W. J. T. “Showing Seeing: A Critique of Visual Culture”, i Journal of Visual Culture, vol. 1, nr. 2 (2002). 165-181, 16 s.
Panofsky, Erwin. “Iconography and Iconology: An Introduction to the Study of Renaissance Art”, i Meaning in the Visual Arts (Chicago: The University of Chicago Press, 1955), 26-54, 29 s.
Parker, Rozsika og Griselda Pollock. Old Mistresses: Women, Art and Ideology (London og Henley: Routledge og Kegan Paul, 1981), 1-49 (“Critical Stereotypes: The Essential Feminine or How Essential is Femininity”), 49 s.
Riegl, Alois. “’Geertgen tot Sint Jans’: The Legend of the Relics of St. John the Baptist”+ introduction, i Modern Perspectives in Western Art History: An Anthology on Twentieth-Century Writings on the Visual Arts, red. W. Eugene Kleinbauer (Toronto: University of Toronto Press, 1989). 124-138, 14 s.
Vasari, Giorgio. “Lives of the Artists” + introduksjon, i Art History and its Methods: A Critical Anthology, red. Eric Fernie (London: Phaidon Press Limited, 1995). 22-42, 20 s.
Warburg, Aby. The Renewal of Pagan Antiquity: Contributions to the Cultural History of European Renaissance (Los Angeles: The Getty Research Institute for the History of Art and the Humanities, 1999). 1-57; 185-204 (Introduction + “Art of Portraiture”), 76 s.
Winckelmann, Johann Joachim. “The History of Ancient Art” + Introduction, i Art History and its Methods: A Critical Anthology, red. Eric Fernie (London: Phaidon Press Limited, 1995). 68-76, 8 s.
W?lfflin, Heinrich. Principles of Art History (New York: 1950). 1-53 (Introduction + “Linear and Painterly, General Observations), 53. s