Syllabus/achievement requirements

KUN2005E - Autumn 2015

Syllabus/achievement requirements

 

Required reading:

1) Compendium 1 (or Compendium 1 + Additional compendium)

  • Berman, Patricia: "Body and body politic in Edvard Munch?s Bathing Men", The Body Imaged, Kathleen Adler and Marcia Pointon (eds.), Cambridge, 1993, pp. 71–83.
  • Berman, Patricia: "The Urban Sublime and the Making of the Modern Artist", Munch becoming ‘Munch’, Munch-museet, Oslo 2008, pp. 139-156.
  • Berman, Patricia: ”Edvard Munch: Women, ’Woman’, and the Genesis of an Artist?s Myth”, Munch and Women. Image and Myth, Jane Sweeney (ed.), San Diego Museum of Art, Alexandria, 1997, pp. 11-40.
  • Eggum, Arne: "Artistic Success – Personal suffering 1897 – 1902”; “Doors open on the Continent 1902 – 1907”; “Warnemünde – New Visions 1907 – 1908”; “National Recognition", Edvard Munch. Paintings, Sketches, and Studies, Oslo 1984, pp. 155-283; 290-291.
  • Guleng, Mai Britt: “Edvard Munch – The Narrator”, eMunch.no - Text and Image, Munch-museet, Oslo 2011, pp. 219-236.
  • Heller, Reinhold: "The Frieze of Life"; "Love", Edvard Munch: The Scream, London 1973, pp. 14-57; 111-112.
  • Lampe, Angela: “Munch and Max Reinhardt's Modern Stage”, Edvard Munch. The Modern Eye, Lampe, Angela and Clément Chéroux (eds.), London 2012, pp. 109-118.
  • Messel, Nils: “Edvard Munch and His Critics in the 1880s”, Munch Becoming 'Munch', Artistic Strategies 1880-1892, Oslo 2008, pp. 159-171.
  • Morehead, Allison: “’Are there bacteria in the rooms of Monte Carlo?’: The Roulette Paintings, 1891–93'”, Munch Becoming 'Munch', Artistic Strategies 1880-1892, Oslo 2008, pp. 121-136.
  • Varnedoe, Kirk: ”Christian Krohg and Edvard Munch”, Arts Magazine, no. 8, 1979, u.p.

 

Compendium 2

  • Heller, Reinhold: "Childhood and Youth 1863 – 1880”; “Artistic Beginnings 1880 – 1886”; “Kristiania and Berlin 1892 – 1899", Munch. Life and Work, London 1984, pp. 11-37; 93-173; 227-233.
  • Müller-Westermann, Iris: "The self-portrait of the 1880s: The Facial Skin as the Mirror of Personal Experience”; “1909-21: Return to Norway”; “1922-1944: The Hermit at Ekely", Munch by Himself, Royal Academy of Arts, London, 2005, pp. 15-57; 111-183.

 

  • Woll, Gerd: "Competition for the Aula”; “Authors, beggars and Workers as decorative Sketches”; “The Great Monument and Further Developments in the Aula Competition”; “Now is the Time for Workers”; “The Horror of War and the Hope of a Better Future”; “Life in the City”; “Munch is invited to decorate the Worker’s Canteen at Freia’s", From the Aula to the City Hall. Edvard Munch’s monumental Projects 1909-1930, Lillehammer 1993, pp. 42-88.
  • Woll, Gerd: "Fifty Years of Printmaking", Edvard Munch: The Complete Graphic Works, New York, 2001, pp. 6-29.

Compendium can beought at Kopiutsalget, Akademika. Please remember your studentcard.

 

2) Digitalized Curriculum:

  • Berman, Patricia: “Edvard Munch's Self-Portrait with Cigarette: Smoking and the Bohemian Persona” Art Bulletin, 75, 1993, pp. 627-646.

 

3) Book that can be bought at Akademika bookshop:

M?rstad, Erik: Edvard Munch: An anthology , 2006. Oslo, 200 pp.

Published May 18, 2015 11:04 AM - Last modified May 28, 2015 4:38 PM