Titler merket * er tilgjengelig i kompendium, til salg p? Akademika
*Alpers, Svetlana, “Looking at Words: The Representation of Texts in Dutch Art”, in : The Art of Describing. Dutch Art in the Seventeenth Century, John Murray Publishers: London 1983. s. 169-221.
*Bal, Mieke: Reading Rembrandt, Cambridge University Press: Berkeley 1991. Kap.1 ?Beyond the Word-Image Opposition? pp 25-54 , Kap. 5 ?Reading Icons, Seeing Stories? pp 177-206, Kap.6 ?Textuality and Realism? pp 216-245.
*Barthes, Roland: Image Music Text, Fontana, Fontana: London 1977. “From Work to Text", pp 155-165, “The Death of the Author”, pp 142-149.
*Bryson, Norman: Vision and Painting, Yale University Press: New Haven 1983 . ?The Image from Within and Without?, pp. 67-86, ?The Gaze and the Glance?, pp. 87-132.
*Bryson, Norman “Semiology and Visual Interpretation” + Stephen Melville “Commentary: Reflections on Bryson” i: Visual Theory, red: Bryson, Holly & Moxey. Polity Press: Cambridge 1991. pp 61-78.
*Bryson, Norman (ed.), ?Discourse, Figure? in: Word and Image, Cambridge University Press: Cambridge 1981. pp 1-28.
Culler, Jonathan: The Pursuit of Signs. Semiotics, Literature and Deconstruction, Cornell University Press: New York 1981. 242 p.
Foucault, Michel: This is Not a Pipe, University of California Press: Berkeley 1983. 63 p.
*Foucault Michel, ?Las Meninas?, in : The Order of Things, Routledge: London 1992. pp. 3-16.
*Krauss, Rosalind: The Originality of the Avantgarde and Other Modernist Myths, MIT Press: Cambridge, Massachusetts 1986. “In The Name of Picasso”, pp 23-42, “Notes on the Index 1 & 2", pp 196-221.
*Krauss, Rosalind “Using Language to do Business as Usual + Norman Bryson “Commentary: The Politics of Arbitrariness” i: Visual Theory, red: Bryson, Holly & Moxey. Polity Press: Cambridge 1991. pp 79-100.
Marin, Louis: To Destroy Painting, The University of Chicago Press: Chicago 1995. s. 1-91.
Mitchell, W.J.T.: Iconology. Image, Text, Ideology, The University of Chicago Press: Chicago 1987. 226 p.
*Mitchell, W.J.T., ?What do Pictures Really Want?, in : October 77, MIT Press, Cambridge, Massachusetts, 1996. pp 71-82.
*Mukarovsky, Jan ?Art as Semiological Fact?, in Norman Bryson: Calligram, Cambridge University Press: Cambridge 1988. pp 1-7.
*Owens, Craig: Beyond Recognition. Representation, Power and Culture, University of California Press: Berkeley 1992. ?The Allegorical Impulse: Toward a Theory of Postmodernism, Part 1 & 2, pp. 52-87, ?Representation, Appropriation and Power, pp. 88-113.
*Prinz, Jessica, ?Smithson?s Labyrinth of Signs?, in : Art Discourse. Discourse in Art, Rutgers University Press: New Jersey, 1991. pp 79-123.
*Sayre, Henry, ?So Much to Tell: Narrative and the Poetics of the Vernacular? in: The Object of Performance. The American Avantgarde since 1970, University of Chicago Press: Chicago 1989. pp 174-211.
1088 sider
ANBEFALT TILLEGGSLESNING:
Hawkes, Terence: Structuralism and Semiotics, University of California Press 1987, 192 p.
*Said, Edward W., ?The Problem of Textuality: Two Exemplary Positions?, in Philipson and Gudel (eds.): Aesthetics Today, New American Library: New York 1980. pp. 87-134.