Anne Wickstr?ms pensumliste:
Nochlin, Linda : Hvorfor har det ikke v?rt noen store kvinnelige kunstnere, 2002. Oslo : Pax. Pax artes ; nr 8 .
Leif Holm Monssens pensumliste
Panofsky, E: "Iconography and Iconology" i Panofsky, E: Meaning in the Visual Arts, 1995. New York. 51-81.
Panofsky, E: "The Concept of Artistic Volition" i http://wgate.bibsys.no/gate1/SHOW?objd=011272449&lang=N&bibk=o, 1981. University of Chicago Press. s. 17-33.
Panofsky, E: "The Neoplatonic Movement and Michelangelo" i Panofsky, E: Studies in Iconology, 1967 (1939). New York : Harper & Row. s. 171-230.
Holly, Michael Ann : Panofsky and the foundations of art history, 1984. Ithaca, N.Y. : Cornell University Press. kapitlene 4-6.
Baxandall, Michael : Patterns of intention : on the historical explanation of pictures, 1985. New Haven, Conn. : Yale University Press. Ikke kap. 3, ellers hele boken.
?ivind Storm Bjerkes pensumliste
MATERIAL, FORM, MENING
Laurie Schneider Adam: “Formalism and Style”, , The Methodologies of Art, (Westview Press, 1996), s. 16 – 35
Roland Barthes: “Style and Its Image”, I The Rustle of Language,Hill and Wang, New York, 1986, s. 90 – 100.
Norman Bryson: ”Word and Image”, Discourse, figure, Cambridge University Press, 1981, reprint 1997, p. 1 – 28,
Robert Klein: ”Form and Meaning”, Modern Painting and Phenomology, Princeton University Press, 1981, s. 185 – 199,
Robert Klein: ”Modern Painters and Phenomenology”, Form and Meaning, Princeton University Press, Princeton, 1979, s 184-200
George Kubler: The Shape of Time, Remarks on the History of Time, Yale University Press, New Haven and London, 1962, s. 1 - 61
Clement Greenberg: “Towards a Newer Laocoon”, Vol 1, p.23 -38; “Modernist Painting”, Vol 4, p. 85 – 93. The Collected Essays and Criticism, Vol 1 – 4, (The University of Chicago Press, 1986 – 1993).
Meyer Schapiro: “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image Signs”; “On Perfection, Coherence and Unity of form and Content; “Style”, Theory and Philosophy of Art: Style, Artists, and Society, George Graziller Inch, New York, 1994, s. 1 – 102.
Heinrich W?lfflin: “Introduction”; “Linear and Painterly, General Observations”, Principles of Art History, (Dover Publications, New York, 1950), s. 1-53.
Pensum til Steinar Mathisens forelesninger
Hans Belting: Art History after Modernism. Univeristy of Chicago Press, Chicago 2003. ISBN-13: 978-226041858