Pensum merket med # vil v?re tilgjengelig i Kompendium i Akademika.
Husk legitimasjon ved kj?p av kompendium hos Akademika!
Fagansvarlig Bente Larsen
I: Introduksjon
#Roland Barthes: "Cy Twombly: Works on Paper" i The Responsibility of Forms: Critical Essays on Music, Art and Representation, Berkeley 1991. University of California Press. s. 157-175 (18 s.) .
#Susan Sontag: "Against Interpretation" i Against Interpretation and Other Essays: New York, London 1990, Anchor Books Boubleda. s. 3-14 (11 s.).
II: Historie
Margaret Iversen: Alois Riegl: Art History and Theory, Cambridge 1993. MA:MIT Press.
III: Ikonografi
Baxandall, Michael : Michael Baxandall, “Patterns of Intention” i: Donald Preziosi (ed.), The Art of Art History. A Critical Anthology, Oxford University Press 2009. New Haven, Conn. : Yale University Press. s 45-53.
Holly, Michael Ann : Panofsky and the foundations of art history, 1985. Ithaca, N.Y. : Cornell University Press. 267 s.
IV: Ikonologi/semiotikk
Mieke Bal, Norman Bryson: "Semiotics and Art History: A Discussusion of Context and Senders" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press. pp. 243-256.
Hans Belting : "Image, Medium, Body: A New Approach to Iconology" i Critical Inquiry 31. 2, Winter 2005. s. 302-319. Lenke.
V: Blikk og betydning
Georges Didi-Huberman: Confronting Images, The Pennsylvania State University Press, 2005. s.1-51 og 219-271.
VI: Hermeneutikk
# Hans-Georg Gadamer: "The Ontology of the Work of Art and its Hermeneutical Significance" i Richard Kearney and David Rasmussen (ed.): Continental Aesthetics, Blackwell 2001. s. 321-338.
#Gottfried Boehm , “Bidrag til en billedets hermeneutik” i: J?rgen Dehs (red.): ?stetiske teorier, Odense Universitetsforlag 1995. s, 181-202.
#Gottfried Boehm: "Hinsides spr?ket" i Bente Larsen (red.): Estetik. Sansing, erkjennelse og verk, 2006. Unipub. s. 31-45.
VII: Bildets antropologi
Walter Benjamin: "Kunstverket i reproduksjonsalderen" i Kjersti Bale og Arnfinn B?-Rygg (red.): Estetisk teori. En Antologi, Oslo 2008. Universitetsforlaget.. 214-40 ( 26 s.). .
# Theodor W. Adorno and Walter Benjamin: The Complete Correspondence 1928-1940, Cambridge, 1999. Polity Press,. s 127-134 og 280-289 (16 s.).
VIII: Riegl
Alois Riegl: "Leading Characteristics of the Late Roman Kunstwollen" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press . ss. 155-161(6 s.).
IX: Panofsky og derefter
#Erwin Panofsky: "Jan van Eyck’s ’Arnolfini’ Portrait" i W. Eugene Kleinbauer (ed.), : Modern Perspectives in Western Art History, New York, Toronto, London, 1971 el. senere utg.. Holt, Rinehart and Winston, Inc. . 193-204 (11 s.).
X: Feminisme
Mary Kelly: "Re-Writing Modernist Criticism" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press. s. 352 – 355 (3 s.).
Judith Butler: "Performative Acts and Gender Cosntitution: An Essay in Phenomenology and Feminst Theory" i Donald Preziosi (ed.): The Art of Art History. A Critical Anthology, New Haven, Conn. 2009. Oxford University Press . s. 356-366 (10 s.).
#Lisa Cartwright: "Art. Feminism and Visual Culture" i : Ian Heywood and Barry Sandywell: The Handbook of Visual Culture, London, 2012. Berg. ISBN:?311-325, (14 s.).
St?ttelitteratur
Margaret Iversen and Stephen Melville: Writing Art History. Disciplinary Departures, Chicago 2010. The University of Chicago Press. s. 38-200.