Pensum merket med # er tilgengelig i Fronter.
Lena Liepes pensumliste
# Panofsky, E: "Iconography and Iconology" i Panofsky, E: Meaning in the Visual Arts, 1995. New York. 51-81.
# Panofsky, E: "The Concept of Artistic Volition" i Critical Inquiry, Vol. 8, No. 1,1981. University of Chicago Press. s. 17-33.
# Panofsky, E: "The Neoplatonic Movement and Michelangelo" i Panofsky, E: Studies in Iconology, 1967 (1939). New York : Harper & Row. s. 171-230.
Holly, Michael Ann : Panofsky and the foundations of art history, 1984. Ithaca, N.Y. : Cornell University Press. kapitlene 4-6.
Baxandall, Michael : Patterns of intention : on the historical explanation of pictures, 1985. New Haven, Conn. : Yale University Press. Ikke kap. 3, ellers hele boken.
Ina Bloms pensumliste
Mitchell, W.J.T.: Iconology. Image, Text, Ideology, 1987. The University of Chicago Press: Chicago. 226 p..
Foucault, Michel: "Las Meninas" i Foucault, Michel: The order of things : an archaeology of the human sciences, 1992. Routledge: London. pp. 3-16.
?ivind Storm Bjerkes pensumliste
MATERIAL, FORM, MENING
# Laurie Schneider Adam: “Formalism and Style”, , The Methodologies of Art, (Westview Press, 1996), s. 16 – 35
# Roland Barthes: “Style and Its Image”, I The Rustle of Language,Hill and Wang, New York, 1986, s. 90 – 100.
# Norman Bryson: ”Word and Image”, Discourse, figure, Cambridge University Press, 1981, reprint 1997, p. 1 – 28,
# Robert Klein: ”Form and Meaning”, Modern Painting and Phenomology, Princeton University Press, 1981, s. 185 – 199,
# Robert Klein: ”Modern Painters and Phenomenology”, Form and Meaning, Princeton University Press, Princeton, 1979, s 184-200
# George Kubler: The Shape of Time, Remarks on the History of Time, Yale University Press, New Haven and London, 1962, s. 1 - 61
# Clement Greenberg: “Towards a Newer Laocoon”, Vol 1, p.23 -38; “Modernist Painting”, Vol 4, p. 85 – 93. The Collected Essays and Criticism, Vol 1 – 4, (The University of Chicago Press, 1986 – 1993).
# Meyer Schapiro: “On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image Signs”; “On Perfection, Coherence and Unity of form and Content; “Style”, Theory and Philosophy of Art: Style, Artists, and Society, George Graziller Inch, New York, 1994, s. 1 – 102.
# Heinrich W?lfflin: “Introduction”; “Linear and Painterly, General Observations”, Principles of Art History, (Dover Publications, New York, 1950), s. 1-53.
Steinar Mathisens pensumliste
Belting, Hans: Art History after Modernism, 2003. Univeristy of Chicago Press, Chicago.
Minor, Vernon Hyde: Art History's History, 2001. Prentice Hall. Upper Saddle River, N.J. .
Podro, Michael: The Critical Historians of Art, 1982. Yale University Press, New Haven/London. side 1-150.