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Generelt pensum:
Christopher Butler, Early Modernism, Oxford, Clarendon Press, 1994, s,1-132.
Peter Bürger, Om Avantgarden, Oslo, Cappelens upopul?re skrifter, 2010, s.94-136.
Hilde Heynen: Architecture and Modernity. A Critique, MIT Press, Cambridge, Massachusetts, 1999. Her leses f?lgende tre tekster: “An architectural Avant-Garde?” (s.26-28), “Sigfried Giedion: A programmatic View of Modernity” (s.29-43) og “Walter Benjamin: The Dream of a Classless Society” (s. 95-118). *
Urbanitet og modernisme
Walter Benjamin, ? Paris, det 19. ?rhundredes hovedstad ?, i Walter Benjamin, Kulturindustri. Udvalgte Skrifter, K?benhavn: Bibliotek Rhodos, 1973, s. 95-112. *
Walter Benjamin, ”Centralpark”, i Walter Benjamin, Kulturindustri. Udvalgte Skrifter, K?benhavn, Bibliotek Rhodos, 1974, s. 161-180. *
Utvalgte artikler i Neil Leach (ed.): Rethinking Architecture. A reader in cultural theory, Routledge, 1997. Her leses: Georg Simmel, “Bridge and Door” (s.65-69), Georg Simmel, “The Metropolis and Mental Life” (s.69-84), Roland Barthes, “Semiology and the Urban” (s.165-172) og Roland Barthes, “The Eiffel Tower” (s.172-180). *
Barry Bergdoll: “The City Transformed, 1848–90” og “The Crisis of Historicism, 1870–93”. I Bergdoll; European Architecture 1750-1890, Oxford History of Art, s.240-268, 269-279, 284. 2000 og senere utgaver. *
Modernismens billedkunst
T.J.Clark, Image of the People: Gustav Courbet and the 1848 Revolution, University of California Press, 1999 (208 s.) (Finnes i biblioteket HumSam og Sophus Bugge)
T.J.Clark, The Painting of Modern Life: Paris in the Art of Manet and His Followers, Princeton University Press, 1999 (376 s.)
Clement Greenberg, “Avant-garde and Kitsch”, “Towards a Newer Laocoon” 1940, “i Charles Harrison og Paul Wood, Art in Theory. 1900-2000. An Anthology of Changing Ideas, Oxford: Blackwell Publishing, 2003, s. 539-549 og 562-568.*
Clement Greenberg, "Late Monet", s. 3-10, "Picasso at Seventy-Five", s. 26-25, "Modernist Painting", s. 85-93 I The Collected Essays and Criticism, Volume 4, Chicago, The University of Chicago Press, 1993.
Daniel-Henry Kahnweiler, from The Rise of Cubism, 1916-20, i Charles Harrison og Paul Wood, Art in Theory. 1900-2000. An Anthology of Changing Ideas, Oxford: Blackwell Publishing, 2003, s. 208-214.*
Harold Rosenberg, “The Fall of Paris” 1940, i Charles Harrison og Paul Wood, Art in Theory. 1900-2000. An Anthology of Changing Ideas, Oxford: Blackwell Publishing, 2003, s.549-553.*
Modernismens arkitektur og Le Corbusier
Jean-Louis Cohen:“A Journey through the Modern World: The Life and the Work of Le Corbusier”. I Jean-Louis Cohen og Staffan Ahrenberg: Le Corbusier?s Secret Laboratory. From Painting to Architecture, Hatje Cantz, 2013 s. 57- 93. *
Jean-Louis Cohen (red): Le Corbusier. An Atlas of Modern Landscapes. MOMA, 2013. Her leses: “Paris”, s 224-279, 292-297. Diverse korte artikler om Le Corbusier?s relasjon til Paris, belyst av forskere som Daniéle Pauly, Barry Bergdoll, Jean Louis Cohen, Arthur Rüegg, Anthony Vidler og Caroline Maniaque-Benton.
William Curtis: “Houses, Studios and Villas” og “Villa Savoye, Cité de Refuge, Pavillion Suisse” (s.93-107).I William J.R Curtis : Le Corbusier : Ideas and forms, Phaidon 1996 og senere utgaver, s.71-84, 93-107. *
Anthony Sutcliffe: ?The Modernist Challenge, 1918–45?. I Paris. An Architectural History, Yale University Press, 1993, s. 138-159. *
Gabriel P. Weisberg; “The Parisian Situation: Hector Guimard and the Emergence of Art Nouveau.” I Paul Greenhalgh (ed.) Art Noveau 1890–1914, Victoria & Albert Publications, 2000, s.266-273.