B?ker
Elkins, James: Visual Studies: A Sceptical Introduction. New York 2003 / 230 pp.
Baert, Barbara: Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture. Leiden 2019 / 316 pp.
(Can be bought on the internet, Amazon.com )
Sekules, Veronica: Medieval Art. Oxford History of Art. Oxford: Oxford University Press 2001 - Ch. 1, 2, 4–7 / 163 pp.
Tekster i kompendium
van Aelst, José: “Visualizing the spiritual: Images in the life and teachings of Henry Suso (c. 1295–1366)”. Speaking to the Eye. Sight and Insight through Text and Image (1150–1650). Thérèse de Hemptinne, Veerle Fraeters, María Eugenia Góngora (eds.). Turnhout: Brepols 2013 (pp. 129–151) / 22 pp.
Camille, Michael: ”Before the Gaze. The Internal Senses and Late Medieval Practices of Seeing”. Visuality Before and Beyond the Renaissance. Seeing as Others Saw. Cynthia Hahn, Robert S. Nelson (ed.). Cambridge 2000 (pp. 197–223) / 26 pp.
Diedrichs, Christof L.: “Desire for viewing: ‘A deluge of images’ in the Middle Ages”. Genre and Ritual. The Cultural Heritage of Medieval Rituals. Eyolf ?strem, Mette Birkedal Bruun, Nils Holger Petersen, Jens Fleischer (eds.). Copenhagen: Museum Tusculanum Press 2005 (pp. 87–117) / 30 pp.
Griffith Mann, C.: “The living past: Form and meaning in a late medieval eucharistic chalice from the Walters Art Museum”. Perspectives on Medieval Art. Learning through Looking. Ena Giurescu Heller, Patricia C. Poingracz (eds.). New York: Museum of Biblical Art 2010 (pp. 129–136) / 8 pp.
J?rgensen, Hans Henrik Lohfert: “Sensorium. A model for medieval perception”. The saturated sensorium: Principles of Perception and Mediation in the Middle Ages. Hans Henrik Lohfert J?rgensen, Henning Laugerud, Laura Skinnebach (eds.). ?rhus: Aarhus University Press 2015: 25–70 / 45 pp.
Kessler, Herbert: “Turning a blind eye: Medieval art and the dynamics of contemplation”. The Mind’s Eye. Art and Theological Argument in the Middle Ages. Jeffrey F. Hamburger, Anne-Marie Bouché (eds.). Princeton: Princeton University Press 2006 (pp. 413–439) / 26 pp.
Kromm, Jane: “General introduction”. A History of Visual Culture. Western Civilization from the 18th to the 21st Century. Jane Kromm, Susan Benforado Bakewell (eds.). Oxford, New Your: Berg 2010 (pp. 1–12) / 12 pp.
Lentes, Thomas: “‘As far as the eye can see…’ Rituals of gazing in the late Middle Ages”. The Mind’s Eye. Art and Theological Argument in the Middle Ages. Jeffrey F. Hamburger, Anne-Marie Bouché (eds.). Princeton: Princeton University Press 2006 (pp. 360–373) / 13 pp.
Mitchell, W. J. T.: “What is visual culture?”. Meaning in the Visual Arts: A View from the Outside: A Centennial Commemoration of Erwin Panofsky (1892–1968). Irving Lavin ed.). Princeton, NJ: Institute for Advanced Study 1995: 207?–217 / 10 pp.
Sand, Alexa: “Saving face. The Veronica and the Visio Dei”. Idem: Vision, Devotion and Self-Representation in Late Medieval Art. Cambridge: Cambridge University Press 2014: 27–83 / 56 pp.
Seubert, Xavier John: “Liturgical instruments and the placing of presence”. Perspectives on Medieval Art. Learning through Looking. Ena Giurescu Heller, Patricia C. Poingracz (eds.). New York: Museum of Biblical Art 2010 (pp. 137–145) / 9 pp.
Soskice, Janet Martin: “Sight and vision in medieval Christian thought”, Vision in Context. Historical and Contemporary Perspectives on Sight, Teresa Brennan, Martin Jay (red.), New York/London 1996 (pp. 29–43) / 14 pp.
Tachau, Katherine H.: “Seeing as action and passion in the thirteenth and fourteenth centuries”. The Mind’s Eye. Art and Theological Argument in the Middle Ages. Jeffrey F. Hamburger, Anne-Marie Bouché (eds.). Princeton: Princeton University Press 2006 (pp. 336–359) / 23 pp.