Obligatorisk pensum er p? ca. 965 sider inkludert illustrasjoner. I tillegg er det satt opp anbefalt litteratur for de studentene som ?nsker ? fordype seg mer. Dette er aktuelt for MA-studenter som skriver om 1800-tallets kunst og for BA-studenter som sikter p? ? skrive en masteroppgave om periodens kunst eller kursets tematikk.
B?KER:
Harrison, Charles. Painting the Difference. Sex and Spectator in Modern Art. (Chicago: University of Chicago Press, 2005). (257 s.).
Anbefalt:
Foucault, Michel. Seksualitetens historie 1: Vilje til viten. (Oslo: Exil, 2001). (170 s.).Tilgjengelig via Nasjonalbiblioteket:
ARTIKLER OG BOKKAPITLER:
Davis, Whitney. “Gender.” I: Critical Terms for Art History, 2. utg., red. Robert Nelson og Richard Shiff. (Chicago: University of Chicago Press, 2003), 220-233. [KOMPENDIUM]
1. ROKOKKO
Duncan, Carol. "Happy Mothers and Other New Ideas in French Art”. I: The Art Bulletin 55 (4), (1973): 570-583. Last ned selv:
Lajer-Burcharth, Ewa. “Fragonard in Detail.” differences: A Journal of Feminist Cultural Studies 14 (3), (2003): 34-56. Last ned selv:
Lajer-Burcharth, Ewa. “Pompadour’s Touch: Difference in Representation”. I: Representations 73 (1). (2001): 54-88. Last ned selv:
2. NYKLASSISISME
Crow, Thomas. “A male republic: bonds between men in the art and life of Jacques-Louis David.” I: Femininity and masculinity in eighteenth-century art and culture, red. Gill Perry og Michael Rossington. (Manchester: Manchester University Press, 1994), 204-218. [KOMPENDIUM]
Crow, Thomas. “Observations on Style and History in French Painting of the Male Nude, 1785-1794”. I: Visual Culture. Images and Interpretations. Red. Bryson et al. (Hanover: Wesleyan University Press, 1994), 141-167. [KOMPEDIUM]
Davis, Whitney. “The Renunciation of Reaction in Girodet’s Sleep of Endymion.” I: Visual Culture. Images and Interpretations. Red. Bryson et al. (Hanover: Wesleyan University Press, 1994), 168-201. [KOMPENDIUM]
Anbefalt:
Grigsby, Darcy Grimaldo. “Nudity à la grecque in 1799.” I: The Art Bulletin 80 (2), (1998): 311-335. Last ned selv:
Ockman, Carol. “Profiling Homoeroticism. Ingres’s Achilles Receiving the Ambassadors of Agamemnon.” I: The Art Bulletin 75 (2), (1993): 259-274. Last ned selv:
Solomon-Godeau, Abigail. “The Other Side of Vertu: Alternative Masculinities in the Crucible of Revolution”. I Art Journal 56, nr. 2 (1997): 55-61. Last ned selv:
3. ROMANTIKKEN
Grigsby, Darcy Grimaldo. “'Whose colour was not black nor white nor grey, but an extraneous mixture, which no pen can trace, although perhaps the pencil may': Aspasie and Delacroix's Massacres of Chios.” I: Art History 22 (5), (1999): 676-704. Last ned selv:
Nochlin, Linda. “Géricault, or the Absence of Women.” I: October 68 (1994): 45-59. Last ned selv:
4. REALISME/NATURALISME
Nochlin, Linda. “Courbet’s L’Origine du monde: The Origin without an Original.? I: October 37 (1986): 76-86. Last ned selv:
Sj?stad, ?ystein. ?Blikkene i politilegens ventev?relse.? I: Kunst og Kultur 95 (3), (2012): 154-163. Last ned selv:
5. MANET
Clark, Timothy J. “Preliminary to a Possible Treatment of ‘Olympia’ in 1865”. I: Art in Modern Culture: An Anthology of Critical Texts, red. Francis Frascina og Jonathan Harris (New York: HarperCollins, 1992), 105-120. [KOMPENDIUM]
Anbefalt:
Crary, Jonathan. “1879: Unbinding Vision.” I: October 68 (1994): 21-44. Last ned selv:
Grigsby, Darcy Grimaldo. ?Still Thinking about Olympia’s Maid.? The Art Bulletin 97 (4), (2015): 430-451. Last ned selv:
6. IMPRESJONISME OG FEMINISME
Pollock, Griselda. “Modernity and the Spaces of Femininity.” I: The Expanding Discourse. Feminism and Art History, red. Norma Broude og Mary D. Garrad. (New York: HarperCollins, 1992), 245-267. [KOMPENDIUM]
Wolff, Janet. “The Invisible Fl?neuse: Women and the Literature of Modernity.” I: Theory, Culture & Society 2 (3), (1985): 37-46. Last ned selv:
Anbefalt:
Garb, Tamar. “Berthe Morisot and the Feminizing of Impressionism.” I: Perspectives on Morisot. Red. T.J. Edelstein. New York: Hudson Hill Press, 1990, 57-66. [KOMPENDIUM]
Garb, Tamar. “Renoir and the Natural Woman.” I: Oxford Art Journal 8 (2), (1985): 3-15. Last ned selv:
7: MASKULINITETER
Berger, Martin A. “Modernity and Gender in Thomas Eakins's ‘Swimming’”. I: American Art 11 (3), (1997): 32-47.
Davis, Whitney. “Erotic Revision in Thomas Eakins's Narratives of Male Nudity”. I: Art History 17 (3), (1994): 301-341. Last ned selv:
Doyle, Jennifer. “Sex, Scandal, and Thomas Eakins’s The Gross Clinic.” I: Representations 68 (1999): 1-33. Last ned selv:
Garb, Tamar. “Gustave Caillebotte’s Male Figures: Masculinity, Muscularity and Modernity”. I: Bodies of Modernity. Figures and Flesh in Fin-de-Siècle France. London: Thames and Hudson, 1998, 25-53. [KOMPENDIUM]
8. DEGAS
Lipton, Eunice. “Images of Laundresses. Social and Sexual Ambicalence”. I: Looking into Degas. Uneasy Images of Women and Modern Life. (Berkeley: University of California Press, 1986), 116-150. [KOMPENDIUM]
9. POST-IMPRESJONISME
Clark, T.J. “Freud’s Cézanne.” I: Representations 52 (1995): 94-122. Last ned selv:
Eisenman, Stephen F. ”Sex in Tahiti.“ I: Gauguin’s Skirt. (London: Thames & Hudson, 1997), 91-147. [KOMPENDIUM]
Garb, Tamar. “Visuality and Sexuality in Cézanne’s Late Bathers.” I: Oxford Art Journal 19 (2), (1996): 46-60. Last ned selv:
Nochlin, Linda. ”Body Politics: Seurat’s Poseuses.” I: Representing Women. (London: Thames & Hudson, 1999), 217-237. [KOMPENDIUM]
Solomon-Godeau, Abigail, “Going Native.” I: Race-ing Art History, red. Kymerly N. Pinder (New York: Routledge, 2002), 139-153. [KOMPENDIUM]
Anbefalt:
Nochlin, Linda. “Seurat’s Grande Jatte: An Anti-Utopian Allegory.” I: Art Instute of Chicago Museum Studies 14 (2), (1989): 233-242. Last ned selv:
10. DEKADENSE
Berman, Patricia. “Bodies of Uncertainty: Edvard Munch’s ‘New Men’ in the 1890s”, i Edvard Munch. An Anthology, red. Erik M?rstad (Oslo: Unipub, 2006), 121-140. [KOMPENDIUM]
Berman, Patricia G. “Edvard Munch's 'Self-Portrait with Cigarette:' smoking and the Bohemian persona.” I: The Art Bulletin 75 (4), (1993): 627-646. Last ned selv:
Anbefalt:
Chang, Alison. “Sexology and Sapphism: Edvard Munch’s Double Nudes.” I: Kunst og Kultur 92 (2), (2009): 92-109. Last ned selv:
11: VITALISME?
Berman, Patricia G. “Mens Sana in Corpore Sano: Munchs vitale kropper”, i Livskraft. Vitalismen som kunstnerisk impuls 1900-1930, red. Karen E. Lerheim og Ingebj?rg Ydstie (Oslo: Labyrinth og Munch-museet, 2006), 45-60. [KOMPENDIUM]
Brummer, Hans Henrik. “Bl? skymning och atleter.” Konsthistorisk tidsskrift/Journal of Art History 68 (2), (1999): 65-79. Last ned selv:
Steorn, Patrik. “Eugène Jansson och den svenska konsthistoriens sexualitet.” I: Lambda nordica 12, (2007): 61-71. Last ned selv:
12. PICASSO
Steinberg, Leo. “The Philosophical Brothel.” October 44 (1988): 7-74. Last ned selv: