Agamben, Giorgio. ?The Face,? Means without Ends (University of Minnesota Press, 2000), pp. 91-102.
Axel, Nick and Daniel A. Barber, Nikolaus Hirsch, and Anton Vidokle, ”Acccumulaton,” (March 27, 2017) e-flux http://www.e-flux.com/architecture/accumulation/100048/editorial/;
exerpts from Berardi, Franco. Heroes: On Mass Killings and Suicide (London: Verso, 2015)
Boetzkes, Amanda. “Plastics, Oil Culture, and the Ethics of Waste,” in Out of Site, Out of Mind: The Politics and Culture of Waste, ed. Christof Mauch (2016)
Bryant, Levi. ”Post-Human Media Ecology,” ”Alien Phenomenology,” and “Time,” Onto-Cartography: An Ontology of Machines and Media (Edinburgh: Edinburgh University Press, 2014): pp.30-36 and 54-74, 157-174.
Cazydn, Eric ”Chronic Time,” The Already Dead: The New Time of Politics, Culture, and Illness (Duke University Press, 2012);
excerpts from Cheney-Lippold, John.” “Our Algorithmic Identities,” and ”Subjectivity: Who do they think you are?” We Are Data: Algorithms and The Making of Our Digital Selves (New York: NYU Press, 2017)
excerpts from Crary, Jonathan. 24/7: Late Capitalism and the Ends of Sleep (London: Verso, 2013).
excerpts from Deleuze, Gilles and Felix Guattari. “Year Zero: Faciality,” A Thousand Plateaus, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), 167-191.
Dean, Jodi. “Faces as Commons: The Secondary Visuality of Communicative Capitalism” (Dec 31, 2016) onlineopen.org
Finn, Ed. “House of Cards: The Aesthetics of Abstraction,” What Algorithms Want: Imagination in the Age of Computing (Cambridge: The MIT Press, 2017), pp.87-112.
Hayles, Katherine. ”Cognitive Assemblages: Technical Agency and Human Interactions,”Unthought: The Power of the Cognitive Unconscious (Chicago: University of Chicago Press, 2017)
Homes, Brian. ”The Aesthetics of Crisis: Art and Arrested Democracies,” (2015) http://www.eurozine.com/the-aesthetics-of-crisis/;
Massumi, Brian. ”Perception Attack: The Force to Own Time,” Ontopower: War, Powers, and the State of Perception (Duke University Press, 2017), pp.63-92.
”Monument Group: Mathemes of Reassociation” http://www.forensic-architecture.org/file/mathemes-re-association and translation in Future Anterior, vol. 8, no. 2 (Winter 2012): 57-73.
excerpts from Morton, Tim. Hyperobjects: Philosophy and Ecology after the End of the World (Minneapolis: University of Minnesota Press, 2013)
excerpts from Pasquale, Frank. ”The Hidden Logic of Search,” The Black Box Society: The Secret Alogorithms that Control Money and Information (New York: NYU Press, 2017), pp.50-100.
excerpts from Ranciere, Jacques. Dissensus: On Politics and Aesthetics (Bloomsbury, 2015)
…..”Aesthetic Separation, Aesthetic Community,” The Emancipated Spectator (London: Verso, 2011), pp. 51-82.
Ross, Christine. “Introduction: The Precarious Visualities of Contemporary Art and Visual Culture,” in Precarious Visualities (Montreal: MQUP Press, 2008), pp. 3-16.
Sandwell, Barry. ”The Technopoesis Thesis,” The Handbook of Visual Culture(Berg Publishers, 2011)
Weizman, Eyal. ”Violence at the Threshold of Detectability,” e-flux, journal # 64 (April 2015) http://www.e-flux.com/journal/64/60861/violence-at-the-threshold-of-detectability/
excerpts from---Violence at the Threshold of Detectability (New York: Zone Books, 2017)