- Technicolour Fantasies of Mother India
Joshi, Priya. “Bollywood’s India” in Bollywood's India: A Public Fantasy. Columbia University Press, 2015. 1-10 (10 pages)
Gooptu, Sharmistha. "The ‘Nation’in Indian Cinema." History Compass 9, no. 10 (2011): 767-775. (7 pages)
Dwyer, Rachel. Chapter 1. Bollywood's India: Hindi cinema as a guide to contemporary India. Reaktion Books, 2014. 38-69 (31 pages)
Ashis Nandy “Introduction: Indian popular cinema as a slum's eye view of politics”, in Dudrah, Rajinder, and Jigna Desai. The Bollywood Reader. McGraw-Hill Education (UK), 2008. 73-83 (10 pages)
Deshpande, Anirudh. "Indian cinema and the bourgeois nation state." Economic and Political Weekly (2007): 95-103. (8 pages)
- Star System
Mishra, Vijay. "Actor as Parallel Text: Amitabh Bachchan." Bollywood Cinema: Temples of Desire (2002): 125-156. (29 pages)
Nandy, Ashis. "The popular Hindi film: Ideology and first principles." India International Centre Quarterly 8, no. 1 (1981): 89-96.
Sudhir Kakar: Mythology of Hindi Cinema (7 pages)
Chakravarty, Sumita S. "The National-heroic Image: Masculinity and Masquerade." The Bollywood Reader (2008): 84-94. (10 pages)
Dwyer, Rachel. Chapter 5, Romance, Love and Family, in Bollywood's India: Hindi cinema as a guide to contemporary India. Reaktion Books, 2014.
- The New Nation in the World
Madhav Prasad ‘The Absolutist gaze’ in Prasad, M. Madhava. Ideology of the Hindi film: A historical construction. Oxford University Press, USA, 2000. 52-87 (35 pages)
Joshi, Priya. “Cinema as Public Fantasy”, Bollywood's India: A Public Fantasy. Columbia University Press, 2015. 23-30 (7 pages)
Devadas, Vijay. "The shifting terrains of nationalism and patriotism in Indian cinemas." In Routledge Handbook of Indian Cinemas, pp. 218-229. Routledge, 2013. (10 pages)
Gehlawat, Ajay. "The Gori in the Story: The Shifting Dynamics of Whiteness in Bollywood Film." TOPIA: Canadian Journal of Cultural Studies 26 (2011): 105-126. (21 pages)
Frankel, Francine. 2005. Chapter 3. (42 pages)
- The Death of the Nation-Dream (70s)
Virdi, Jyotika. "Deewar/Wall (1975)." Global Bollywood (2008): 223-239 (16 pages)
Dwyer, Rachel. Chapter 4 (Emotions), in Dwyer, Rachel. Bollywood's India: Hindi cinema as a guide to contemporary India. Reaktion Books, 2014.
Dwyer, Rachel. Chapter 2 (Caste/Class/Diversity), ibid. (30 pages in all)
Frankel, Francine. 2005. Chapters 12 and 13 (88 pages)
- India buys shining things (90s)
Kaur, Ravinder. "Viewing the West through Bollywood: A celluloid Occident in the making." Contemporary South Asia 11, no. 2 (2002): 199-209. (10 pages)
Chopra, Anupama. "Bye-bye Bharat." India today 1 (1997): 53-54. (2 pages)
Brosius, Christiane, and Nicolas Yazgi. "‘Is there no place like home?’ Contesting cinematographic constructions of Indian diasporic experiences." Contributions to Indian sociology 41, no. 3 (2007): 355-386. (31 pages)
Dwyer, Rachel. Chapter 6 (The world), in Bollywood's India: Hindi cinema as a guide to contemporary India. Reaktion Books, 2014. (15 pages)
Frankel, Francine. 2005. Chapter 14. (46 pages)
- Vernacularizing Cinema
Kumar, Akshaya. "Provincialising Bollywood? Cultural economy of north-Indian small-town nostalgia in the Indian multiplex." South Asian Popular Culture 11, no. 1 (2013): 61-74. (13 pages)
Mukherjee, Madhuja. "Sounding Dystopia: Anurag Kashyap’s Films and Relocation of Popular Tropes." Behind the Scenes: Contemporary Bollywood Directors and Their Cinema (2017): 185-214 (29 pages)
Kapur, Jyotsna, and Soumik Pal. "In the Morbid Interregnum: Vishal Bhardwaj’s Realist Aesthetic and the Neoliberal Imaginary." Behind the Scenes: Contemporary Bollywood Directors and Their Cinema (2017): 131-159 (28 pages)
Jain, Anuja. "Love Sex Aur Dhoka: a new morphology of contemporary Bombay cinema." Screen 58, no. 1 (2017): 98-106. (8 pages)