Litter?re tekster/filmer:
- Robert Altman & Frank Barhydt, Short Cuts: The Screenplay (utdrag ca. 20 s.).
- Jane Austen, Sense and Sensibility (1811); Ang Lee, Sense and Sensibility (1996).
- Raymond Carver, Short Cuts (1993); Robert Altman, Short Cuts (1993).
- Joseph Conrad, Heart of Darkness (1899); Francis Ford Coppola, Apocalypse Now Redux (2001).
- Michael Ondaatje, The English Patient (1992); Anthony Minghella, The English Patient (2000).
- Virgina Woolf, To the Lighthouse (1927); Colin Gregg, To the Lighthouse (1973).
Narrativ teori og adaptasjonsteori:
Jakob Lothe: Narrative in Fiction and Film: An Introduction, 2000. Oxford: Oxford University Press. Del I og kapittel 7 og 8 i del II.
Artikler samlet i kompendium 'ENG2326 Fiction and Film' (f?s kj?pt p? Kopiutsalget, Akademika):
- Boris Eikhenbaum, 'Literature and Cinema' [1926], in Russian Formalism, ed. Stephen Bann and John Bowlt (Edinburgh: Edinburgh University Press, 1973), 122-27.
- Dudley Andrew, 'Adaptation', in Film Theory and Criticism, fifth edn., ed. Leo Braudy and Marshall Cohen (Oxford: Oxford University Press, 1999), 452-60.
- Robert Scholes, 'Narration and Narrativity in Film', in Film Theory and Criticism, third edn., ed. Gerald Mast and Marshall Cohen (Oxford: Oxford University Press, 1985), 390-403.
- Julian North, 'Sense and Sensibility from text to screen', in Adaptations: From Text to Screen, Screen to Text (London: Routledge, 1999), 38-50.
- Gillian Beer, 'Hume, Stephen, and Elegy in To the Lighthouse', in Virginia Woolf: The Common Ground (Edinburgh: Edinburgh University Press, 1996), 29-47.
- Martin Scofield, 'Closer to Home: Carver versus Altman', in Studies in Short Fiction 33 (Summer 1996), 387-99.