UTDRAG FRA BOK:
Bürger, Peter. Om avantgarden. Overs. Eivind Tj?nneland. Oslo: Cappelen, 1998. [Evt. tysk originalversjon, Theorie der Avantgarde (Frankfurt a. M.: Suhrkamp, 1982) eller engelsk oversettelse, Theory of the Avant-Garde. Overs. Michael Shaw (Minneapolis: University of Minnesota Press, 1984)]. Kp. 3 og 4.
KOMPENDIUM:
Bataille, Georges. ”The Eye”; ”Formless”. Vision of Excess. Overs. Allan Stoekl. Minnapolis: University of Minnesota Press, 1985. S. 17-19; 31.
Benjamin, Walter. ”Kunstverket i reproduksjonsalderen”. Kunstverket i reproduksjonsalderen. Overs. Torodd Karlsten. Oslo: Gyldendal, 1991. S. 35–64.
Bois, Yve-Alain & Rosalind Krauss. “Moteur!”. Formless: A User’s Guide. New York: Zone Books, 1997. S. 133-138.
Breton, Andre: ”F?rste surrealistiske manifest”; ”Annet surrealistiske manifest”. Surrealisme. En antologi. Red. Kjartan Fl?gstad m.fl.. Oslo: Gyldendal, 1980. S. 95-117; 216-220.
Gunning, Tom. “The Cinema of Attractions. Early Film, Its Spectator and the Avantgarde.” Early Cinema: Space, Frame, Narrative. Red. Thomas Elsaesser. London: BFI Publisher, 1990. S. 56-62.
Jay, Martin. “The Disentchantment of the Eye. Bataille and the Surrealists”. Martin Jay, Downcast Eyes. The Denigration of Vision on Twentieth-Century French Thought. Berkeley: University of California Press, 1994. S. 211-262.
Prests?ter, Ellef & Karin Nyg?rd (red.). Manifest : rett kopi dokumenterer fremtiden.. Oslo: Rett kopi, 2007. Utdrag: Marinetti: “Futurismens grunnlag og manifest”; Umberto Boccioni m. fl.: “Futuristisk maleri. Teknisk manifest”; Majakovskij m.fl.: “Et slag i ansiktet p? den offentlige smak”; “Marinetti m.fl.: “Futuristisk film”; Tzara: “Manifest Dada 1918”. S. 6-11; 30-32; 40-43.
Bolt Rasmussen, Mikkel. "Den situasjonistiske avant-garde". En tradition af opbrud. Spring forlag, K?benhavn 2005. S. 155-167.
ARTIKLER TILGJENGELIG P? NETTET:
Eisenstein, Sergei. “Montage of Attractions: For ‘Enough Stupidity in Every Wiseman”. Overs. Daniel Gerould. The Drama Review: TDR, vol. 18, nr. 1. MIT Press, 1974. S. 77-85.
http://www.jstor.org/stable/1144865
Foster, Hal. “What's Neo about the Neo-Avant-Garde?”.
October, vol. 70. MIT Press, 1994. S. 5-32.
http://www.jstor.org/stable/779051
Kittler, Friedrich. “Gramophone, Film, Typewriter”. Overs. Dorothea von Mücke. October, vol. 41. MIT Press, 1987. S. 101-118.
http://www.jstor.org/stable/778332
Krauss, Rosalind. “The Originality of the Avant-Garde: A Postmodernist Repetition”. October, vol. 18. MIT Press, 1981. S. 47-66
http://www.jstor.org/stable/778410
Krauss, Rosalind. “The Photographic Conditions of Surrealism”. October, vol. 19. MIT Press, 1981. S. 3-34.
http://www.jstor.org/stable/778652
Perloff, Marjorie. "Violence and Precision: The Manifesto as Art Form”.
Chicago Review, vol. 34, nr. 2. Chicago Review, 1984. S. 65-101.
http://www.jstor.org/stable/25305249
Virilio, Paul. “Dromoscopy, or The Ecstasy of Enormities”. Overs. Edward R. O'Neil.
Ohio University School of Film, 1999. [fra Wide Angle, vol. 20, nr. 3, 1998. S. 11-22.]
http://www.pitzer.edu/academics/faculty/lerner/wide_angle/20_3/203virilio.htm#FOOT1
Fra Situationist International Online:
(http://www.cddc.vt.edu/sionline/index.html)
Constant. "Manifesto (for Cobra)”. Reflex #1. September-oktober 1948. 6 s.
http://www.cddc.vt.edu/sionline/presitu/manifesto.html
Debord, Guy. The Society of the Spectacle [1967]. Overs. ved Ken Knabb p? nettstedet Bureau of Public Secrets. 2002. Utdrag 35 s.
http://www.bopsecrets.org/SI/debord/index.htm
Debord, Guy. "Theory of the Dérive (1956). Internationale Situationniste #2, 1958. 7 s.
http://www.cddc.vt.edu/sionline/si/theory.html
[Redaksjonelt SI]. "Détournement as Negation and Prelude". Internationale Situationniste #3. 1959. 2 s.