Det kan komme endringer i pensumlisten.
B?ker:
Hausken, Liv (2009) "Medieestetikk. 亚博娱乐官网_亚博pt手机客户端登录 i estetisk medieanalyse", Scandinavian Academic Press
Hausken, Liv (red.) (2013) "Thinking Media Aesthetics", Peter Lang Academic Publishing
Peacock, Steven and Jacobs, Jason (2013) "Television Aesthetics and Style", Bloomsbury
Legges i Fronter:
Furniss, Maureen (2007) “Introduction to animation studies” i Art in motion: animation aesthetics, John Libbey Publishing s. 3-12 (10 s).
Robert Sinnerbrink (2012) Stimmung: Exploring the Aesthetics of Mood (16 s.)
Raymond Williams (1977) Realism, Naturalism and their Alternatives (6 s.)
Kompendium:
Bazin, André (1971) “An Aesthetic of Reality: Neorealism” i A. Bazin What is Cinema? Volume 2. Berkely: University of California Press, s. 16-40.
(25 sider)
Benjamin, Walter (1991 [1939]) “Kunstverket i reproduksjonsalderen” i Kunstverket i reproduksjonsalderen. Essays om Kultur, litteratur og politikk, Oslo: Gyldendal Norsk Forlag, s.35-64, 30s.
No?l Carroll (1996) “From Real to Reel: Entangled in Non-fiction Film” i N. Carroll Theorizing The Moving Image, New York: Cambridge University Press, 2. 224-252. (29 sider)
Carroll, N?el (2007) ”Narrative Closure”, Philosophical Studies, Vol.135, No.1, pp.1-15 (15 sider)
Freeland, Cynthia (2007) ”Portraits in Painting and Photography”, in Philosophical Studies: An International Journal for Philosophy in the Analytic Tradition, Vol.135, No.1., pp.95-109. (15 sider).
Kittler, Friedrich (2009[2002]) ”Optiske medier - to forelesninger” i Mediefilosofi. Oslo: Cappelen Damm.s.97-143, 47s.
Kukkonen, Karin (2011) ”Comics as a Test Case for Transmedial Narratology”, SubStance, Vol.40, n.1 (issue 124), pp.34-52 (19 sider)
Lynch, Michael (2006) ”The Production of Scientific Images. Vision and Re-vision ín the Histry, Philosophy, and Sociology of Science” in Luc Pauwels (ed) Visual Cultures of Science, Dartmouth College Press, p.26-40 (15 sider)
Mitchell, W.J.T. (2008) “Adressing Media", MediaTropes eJournal, vol I, pp. 1–18, 19s.
Mitchell, W. J. T. og Mark B. N. Hansen (2010) (red.) “Introduction” i Critical Terms for Media Studies. Chicago: University of Chicago Press, s.vii-xx11, 16s.
Pasveer, Bernike (2006) ”Representing or Mediating. A History and Philosophy of X-ray Images in Medicine” in Luc Pauwels (ed) Visual Cultures of Science, Dartmouth College Press, p.41-62 (22 sider)
Pye, Douglas (2007) ”Movies and Tone” i J. Gibbs og D. Pye red. Close-Up 02. London: Wallflower Press, s. 5-31.
(26 sider)
Smith, Greg (1999) “Local Emotions, Global Moods and Film Structure” i C. Plantinga og G. Smith red. Passionate Views. BA, Maryland: John Hopkins University Press, s. 103-126.
(24 sider)
Smith, Murray (1995) ”Film Spectatorship and the Institution of Fiction”, The Journal of Aesthetics and Art Criticism, Vol.53, No.2 (Spring 1995), pp.113-127 (15 sider)
Weber, Samuel (1996) “Television: Set and Screen” I Mass Mediauras. Form, technics, media. Stanford University Press, p.108-128, 21s.
Wilson, George (2006) ”Transparency and Twist in Narrative Fiction Film”, The Journal of Aesthetics and Art Criticism, Vol.64, No.1, pp.81-95 (15 sider)
Verkpensum
I tillegg til ordin?rt pensum skal det legges opp et verkpensum, dvs. et analysemateriale som studentene skal gj?re seg kjent med, som det skal arbeides med p? seminarene, og som vil kunne inng? som analysemateriale til eksamen.
1. et portrett, selvvalgt medium
2. en v?rmelding, selvvalgt medium
3. en animert film eller fjernsynsepisode
4. et vitenskapelig bilde
5. en audiovisuell fiksjonsfortelling
Alt materialet m? kunne leveres i to (2) eksemplarer til eksamen.