PENSUM
B?KER
Bordwell, David (2006). The Way Hollywood Tells It: Story and Style in Modern Movies, Berkeley: University of California Press (298 s.)
Dennison, Stephanie og Song Hwee Lim (2006). Remapping World Cinema. Identity, Culture, and politics in film, London: Wallflower Press. (203 s.)
Fowler, Cathrine (red.) (2002). The European Cinema Reader. London: Routledge. (245 s.)
Gledhill, Christine og Linda Williams, red. (2000). Reinventing Film Studies. London: Hodder. (Utdrag, kapittel 15, 18, 19, 20, 21, 22 og 23) (119 s.)
Yueh-Yu Yeh, Emilie og Darrell William David (2005) Taiwan Film Directors. A Treasure Island, New York: Columbia University Press (296 s.)
Braudy, Leo & Marshall Cohen (2009) Film Theory and Criticism, kap. 8: “Digitization and Globalization” s. 777 – 887, (110 s.)
?KOMPENDIUM I
Bazin, André. ?The Evolution of the language of Cinema?. Overs. Hugh Gray. I What is Cinema vol 1. Berkeley: University of California Press, 1967. 23–40. (18 s.)
Ehrlich, Linda C. og Desser, David (red.) (1994). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan. Austin: University of Texas Press. Kapittel 7, 8, 10, 11, 12 og 13. (113 s.)
Espinosa, Julio García. ?For an Imperfect Cinema?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 287–97. (10 s.)
Gabriel, Teshome H. ?Towards a Critical Theory of Third World Films?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 298–316. (18 s.)
Kaplan, E. Ann. ?Problematising Cross-cultural Analysis: The Case of Women in the Recent Chinese Cinema?. I Perspectives on Chinese Cinema. Chris Berry, red. London: BFI, 1992 141-154. (14 s.)
Lauretis, Teresa de’. ?Rethinking Women’s Cinema: Aesthetics and Feminist Theory?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 317–36. (19 s.)
Solanas, Fernando og Octavio Gettino. ?Towards a Third Cinema?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 265–86. (21 s.)
Stam, Robert. ?Alternative Aesthetics: Introduction?. I Film and Theory: An Anthology. Robert Stam og Toby Miller, red. Malden: Blackwell, 2000. 257–64. (7 s.)
Thompson, Kristin (1999). Storytelling in the New Hollywood. Cambridge: Harvard University Press. Side 1- 50. (50 s.)
Yau, Esther C. M. ?Yellow Earth: Western Analysis and a Non-Western Text?. I Perspectives on Chinese Cinema. Chris Berry, red. London: BFI, 1992. 62-79. (18 s.)
KOMPENDIUM II
BORDWELL, DAVID (2001) “An Analytical Essay”, i David Bordwell Film Viewers, New York: McGraw-Hill, s. 17-33 – 17 sider
GEIGER, JEFFREY OG R. L. RUTSKY (2005) “Introduction”, i Jeffrey Geiger og R. L. Rutsky (red.) Film Analysis, New York: W. W. Norton & Company, s. 17-40 – 24 sider
ANDERSSON, LARS GUSTAF OG ERIK HEDLING (1999) “Att analysera film”, i Lars Gustaf Andersson og Erik Hedling Filmanalys. En introduktion, Lund: Studentlitteratur, s. 7-11 – 5 sider
ELSAESSER, THOMAS OG WARREN BUCKLAND (2002) “Film theory, methods, analysis”, i Thomas Elsaesser og Warren Buckland Studying American Film. A Guide to Movie Analysis, London: Hodder Arnold, s. 1-25 – 25 sider
BORDWELL, DAVID OG KRISTIN THOMPSON (2008) “Film Criticism: Sample Analyses”, i Film Art. An Introduction, 8th ed., New York: McGraw-Hill, s. 384-410 – 27 sider
NAFICY, HAMID (2005) “Questioning Reality, Realism, and Neorealism”, i Jeffrey Geiger og R. L. Rutsky (red.) Film Analysis, New York: W. W. Norton & Company, s. 795-812 – 18 sider