B?ker
- Barthes, Roland ([1980] 2001) Det Lyse Rommet. Tanker om fotografiet, Pax, Oslo. (133 s.)
- Edwards, Steve (2006) Photography. A very short introduction. Oxford University Press. (140 s.)
- Wessel-Aas, Jon (2016) Opphavsrett, fotorett og personbilder i nettjournalistikk, Oslo: Cappelen Damm Akademisk. (76 s.)
- Good, Jennifer and Paul Lowe (2017) Understanding Photojournalism, London, Oxford, New York, New Delhi, Sydney: Bloomsbury. (179 s.)
Kompendium
- Roland Barthes (1964) "Bildets Retorikk" i Barthes, I tegnets tid (utvalg, 1994), s.22-35 (14s)
- Benjamin, Walter (1991 [1931]) “Liten fotografihistorie” i Kunstverket i reproduksjonsalderen. Essays om Kultur, litteratur og politikk, Oslo: Gyldendal Norsk Forlag, s.65-79 (15s.)
- Bourdieu, Pierre (1990 [1965]) ”The Social Definition of Photography”, i Photography. A Middlebrow Art. Oxford og Cambridge: Polity Press. Kap.2, s.73-98 + sluttnoter s.191-196. (25s.)
- Carney, Phil (2010) “Crime, Punishment and the force of photographic spectacle” i Hayward, Keith J og Mike Presdee (red) Framing Crime. Cultural Criminology and the Image. Routledge, kap.2, s.17-35. (19s.)
- de Duve, Tierry (1978) “Time Exposure and Snapshot: The Photograph as Paradox” October, Vol. 5, Photography (Summer, 1978), pp. 113-125, (13s.)
- Galison, Peter (1998) “Judgment against Objectivity”, i C.A. Jones og P.Galison (red.) Picturing Science, Producing Art, London, New York: Routlegde, s.327-359 (33 sider).
- Hausken, Liv (2006) "Fotografisk erfaring" i Uhre Mogensen og Krogholm (red.) Fotografiske dialekter, NSU Press, s.107-122 (16s)
- Hausken, Liv (2008) "Billedbehandling og troverdighet" i Enli og Skogerb? (red.), Digitale Dilemmaer, Gyldendal, s.125-140 (16s)
- Hausken, Liv (2009) "R?ntgenblikk p? fotografiet, eller omveien som metode" I Hausken, Medieestetikk. 亚博娱乐官网_亚博pt手机客户端登录 i estetisk medieanalyse, Spartacus, s.61-80 (20s)
- Maynard, Patrick (2017) ?Photo Mensura? i M??ner, Nicola og Alfred Nordmann (red). Reasoning in Measurement, i serien: Series: History and Philosophy of technoscience, London og New York: Routledge, s.41-56 (16s).
- Schwartz, Dona (2003) “Professional Oversight: Policing the Credibility of Photojournalism” i Gross, Larry, John Stuart Katz og Jay Ruby (red) Image Ethics in the Digital Age, Minneapolis og London: University of Minnesota Press, (kap.2) s.27-51. (25s.)
Online artikler
- Hoel, Aud Sissel (2018) ?Operative Images. Inroads to a New Paradigm of Media Theory” i Luisa Feiersinger, Kathrin Friedrich, Moritz Queisner (Eds.), Image – Action – Space: Situating the Screen in Visual Practice. Berlin, Boston: De Gruyter. (pp. 11–28). (17s). Online access: https://www.degruyter.com/view/books/9783110464979/9783110464979-002/9783110464979-002.xml [tilgjengelig: 7.november 2019]
- Muzzarelli, Federica (2016) ?The Photo Booth and the Automatic Photographic Portrait. From Criminal and Psychiatric Certification to Imaginary Escape”, Cultures, Fashion and Society’s Notebooks 2016, red. Menarini, Roy, Pearson Italia, Milan-Turin: Bruno Mondadori. (55s.) Tilgjengelig online: https://www.academia.edu/34532913/The_Photo_Booth_and_the_Automatic_Photographic_Portrait_from_Criminal_and_Pschychiatric_Certification_to_Imaginary_Escape [tilgjengelig: 7.november 2019]
- Sekula, Allen (1986) ”The Body and the Archive”, October, Vol.39 (winter, 1986), 3-64 (62s), Online access flere steder, blant annet: https://www.jstor.org/stable/pdf/778312.pdf?refreqid=excelsior%3A9365f4cceab5fe928efb34fab5e38871, og https://eportfolios.macaulay.cuny.edu/lklichfall13/files/2013/09/Sekula_The-body-and-the-archive_.pdf [tilgjengelig 7.november 2019].
- Shen, Cuihua et.al. (2019) “Fake images: The effects of source, intermediary, and digital media literacy on contextual assessment of image credibility online” i New Media & Society, Vol.21 (2) 438-463. (25s) Online access: https://journals.sagepub.com/doi/pdf/10.1177/1461444818799526 [tilgjengelig: 7.november 2019]
- Snyder, Joel og Neil Walsh Allen (1975) ?Photography, Vision, and Representation”, Critical Inquiry, Vol. 2, No. 1 (Autumn, 1975), s. 143-169 (27s) Online access: https://is.muni.cz/el/1421/podzim2015/ESB067/um/59376525/Joel_Snyder_Photography__Vision__and_Representation.pdf [tilgjengelig: 7.november 2019]
- Weilenmann, Alexandra og Thomas Hillman (2019) “Selfies in the wild: Studying selfie photography as a local practice” i Mobile Media & Communication 00(0), s.1-20. Online access: https://journals.sagepub.com/doi/pdf/10.1177/2050157918822131 [tilgjengelig: 7.november 2019] (20s)
- Zappavigna, Michele (2016) ?Social media photography: construing subjectivity in Instagram images” i Visual Communication Vol. 15(3) 271–292, Online access: https://journals.sagepub.com/doi/pdf/10.1177/1470357216643220 [tilgjengelig: 7.november 2019] (19s).
P? pensum er ogs? faktasjekk-manualen:
”Seeing isn’t believing: The Fact Checker’s guide to manipulated video”, Washington Post, June 26, 2019. Online access: https://www.washingtonpost.com/graphics/2019/politics/fact-checker/manipulated-video-guide/ [tilgjengelig: 14.november 2019]
Totalt: 965 sider
Fotopensum
I tillegg til det verbalspr?klige pensumet kommer et s?kalt verkpensum, dvs. et analysemateriale som studenten skal gj?re seg kjent med, som det skal arbeides med p? seminarene, og som vil kunne inng? som analysemateriale til eksamen. Hver student velger selv fire fotografier innen minst to ulike genrer og fra minst to ulike medier. Fotografiene m? kunne leveres som vedlegg til en eksamensbesvarelse.