Books
Gillian Rose, Visual Methodologies. London: Sage, 2016.
Articles:
- Barthes, Roland. Mythologies. New York: Noonday, 1991 [1957], pp. 109-160.
- Doane, Mary-Ann. ‘The Woman’s film, possession and address’ in Gledhill (ed.), pp. 283-299.
- Fairclough, Norman. Critical Discourse Analysis: The critical study of language. London: Routledge, 2010. Chapters 11 and 14.
- Gibbons, Alison. ‘Narrative worlds and multimodal figures in House of Leaves’, in M Grishakova and M-L Ryan (eds.), Intermediality and storytelling. Berlin: de Gruter, 2010), pp. 285-311.
- Gibbs, John. Mise-en-scène: Film Style and interpretations. London: Wallflower, 2002. Chapters 1 and 2
- Lacan, Jacques. ?crits: a selection. London: Routledge, 2004 [1966]. Chapter 1.
- Levi-Strauss, Claude. ‘The structural study of myth’, The Journal of American Folklore 68: 270 (1955), pp. 428-444.
- Moi, Toril. Revolution of the ordinary: Literary Studies after Wittgenstein, Austin, and Cavell. Chicago: University of Chicago press, 2017. Chapter 8.
- Mulvey, Laura. ‘Visual Pleasure and narrative cinema’, Screen 16:3 (1975), pp. 6-18.
- Mulvey, Laura. ‘Notes on Sirk and Melodrama’, in Christine Gledhill (ed.), Home is where the heart is: Studies in melodrama and the woman’s film. London: BFI, 1987, pp. 75-82.
- Pavel, Thomas. Fictional worlds. Cambridge: Harvard University Press, 1986. Chapters 1 and 3. Chapter 2 is recommended.
- Perkins, V.F. ‘Must we say what they mean’, Movie 34 (Oct. 1990)
- Ricoeur, Paul Freud and Philosophy: an essay on interpretation. New Haven: Yale University Press, 1970. Chapter 2.
- Thiselton, Anthony C. Hermeneutics: an Introduction. Grand Rapids: Eerdmans, 2009. Chapters 1,2 and 3.