Tidligere arrangementer - Side 13
Jim T?rresen will present the ROBIN group at Department of Informatics.
Anne Danielsen, Kristian Nymoen, Mari Romarheim Haugen and Gui Camara present the new project "Timing and Sound in Musical Microrhythm" (TIME).
Anne Danielsen, Kristian Nymoen, Mari Romarheim Haugen and Gui Camara present the new project "Timing and Sound in Musical Microrhythm" (TIME).
Tor Endestad will present the research of the FRONT neurolab in the Department of Psychology.
Results from the 2017 Norwegian Championship of Standstill, held at the University of Oslo.
Alexander Refsum Jensenius, Victor Sanchez and Agata Zelechowska will present the new MICRO project.
A workshop on electromyography (EMG), a method for measuring muscle tension, with Christian Lersch from Noraxon.
Pritty and Patrick Patel-Grosz (Linguistics) and Bruno Laeng (Psychology) will present some of their latest research.
Solveig Aasen (IFIKK) and Kai Olav Ellefsen/Jim T?rresen (IFI) will present some of their latest research in music, dance, movement, robotics and health applications.
Research fellow Ulf Holbrook and postdoctoral researcher Minho Song will present some of their latest research.
Research fellow Tejaswinee Kelkar and postdoctoral researcher Charles Martin will present some of their latest research.
Leading scholars on musical rhythm from music psychology, neuroscience, musicology and ethnomusicology present papers on the current status of research into rhythm and groove. International guests: Justin London, Rainer Polak, Peter Vuust, and Maria Witek.
Postdoctoral researcher Natasha Barrett will present some of her latest research. Including a demo.
Welcome to the forth concert in a new series featuring 3D electroacoustic acousmatic music performed over 47 loudspeakers.
Welcome to the third concert in a new series featuring 3D electroacoustic acousmatic music performed over 47 loudspeakers.
Welcome to the second concert in a new series featuring 3D electroacoustic acousmatic music. In each concert we will play modern and classic immersive and dynamic spatial music on a 47 speaker ambisonics array installed in the motion lab at the Institutt for musikkvitenskap, UIO, Oslo.
This workshop is linked to our project on sound-producing body motion.
The upcoming workshop will be a basically practical, hands-on type workshop that we believe will be very useful for our ongoing work here.
We are much looking forward what we believe will be an informal but highly productive workshop, so hope to see you all there!
About the Electric Space Concert Series
The Electric Space Concert Series features 3D electroacoustic acousmatic music. In each concert we play modern and classic immersive and dynamic spatial music over the 47 speaker ambisonics array installed in the motion lab at the Institutt for musikkvitenskap, UIO, Oslo. Concerts 3 and 4 were a collaboration with the group “Electric Audio Unit” who specialise in the performance and programming of 3-D immersive sound.
Robert Wechsler (choreographer) and Andreas Bergsland (composer) will present a workshop concerning interactive technologies and approaches for turning human movement into music.
Professor Petri Toiviainen, a world leading music researcher from the University of Jyv?skyl?, will present an overview of the emerging field of sound and music computing (SMC).
Results from the 2015 Norwegian Championship of Standstill, held at the University of Oslo.
At by:Larm 2015 the first Norwegian Music Hackathon will take place, a concept which is organized on many of the biggest music festivals around the world. Free entrance and open for everyone.
Princeton professor Dmitri Tymoczko is giving a lecture in June entitled:
"Rock Logic"
Abstract: Using some of the ideas in my book (A Geometry of Music) I will outline an indigenous theory of Rock harmony, showing how these musicians uncovered a natural and deeply logical alternative to traditional harmonic procedures--one in which harmonies tend to go "backwards." I will show that similar ideas can be found in the music of the late 16th and early 17th century, including Morley and Schutz. From this point of view, the "functional" harmony of the baroque and classical period represents a departure from a larger norm.
M.Sc. St?le Andreas van Dorp Skogstad ved Institutt for informatikk avholder pr?veforelesning over emnet:
"Electronic Synthesis of Musical Sounds: Principles and Practices