Pensum/l?ringskrav

HOVEDBOK: Kvale, Steinar og Svend Brinkmann. 2015. Det kvalitative forskningsintervju, oversatt av Tone M. Anderssen og Johan Rygge. Oslo, Gyldendal akademisk.

Eriksen, Thomas Hylland: Sm? steder — store sp?rsm?l. Innf?ring i sosialantropologi. 3. utgave, 2010. Oslo: Universitetsforlaget. Kapitel 1-5, side 13-78.

Ruud, Even. 2016. Musikkvitenskap. Oslo: Universitetsforlaget, 111-118, 169-171.

Ruud, Even. 2013. Musikk og identitet. Oslo: Universitetsforlaget, 51-82.

 

ARTIKLER/BOKKAPITLER:

Anon. “Strategies for Qualitative Interviews.” Harvard University, Department of Sociology.

Assmann, Aleida. 2011. “Archives.” Cultural Memory and Western Civilization. Functions, Media, Archives, Cambridge: Cambridge University Press, 327-332

Born, Georgina and Hesmondhalgh, David. 2000. (red.): Western Music and its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press, s. 1-31.

Bowen, Glenn A. 2009. “Document Analysis as a Qualitative Research Method.” Qualitative Research Journal, 9(2), 27-44

DeNora, Tia. 1999. “Music as a Technology of the Self." Poetics 27: 31-56. 

Featherstone, M. 2006. “Archive.” Theory, Culture & Society 23(2-3), 591–596

Feld, Steven. 2007. "Dialogic Editing: Interpretin how Kaluli read Sound and Sentiment." Antonius CHM Robben & Jeffrey A. Sluka (red.) Ethnographic Fieldwork. An Anthropological Reader, Blackwell, s. 417-430.

Foucault, Michel. 1972. "Introduction." The Archaeology of Knowledge. London: Tavistock.

Foucault, Michel. 1984. “Nietzsche, Genealogy, History”, The Foucault Reader, (red.) Paul Rabinow. New York: Pantheon.

Gripsrud, Jostein. 2002. ”Popul?rmusikk mellom kunst og marked”, i Gripsrud (red.) Popul?rmusikken i kulturpolitikken. Oslo: Norsk Kulturra?d, s. 8-45. 

Hawkins, Stan. 2001. Musicological Quagmires in Popular Music: Seeds of Detailed Conflict i Popular Musicology Online. 

Hebdige, Dick. 1979. Part One: ‘From culture to hegemony’, Subculture: The Meaning of Style, Routledge, s. 1-19.

J?rgensen, Marianne Winter og Louise Phillips. 2006. “Det diskursanalytiske felt”, i Diskursanalyse som teori og metode. Roskilde: Roskilde Universitetsforlag, s. 9-28.

Peters, John Durham. 2008. "History as a Communication Problem." In Explorations in Communication and History, (red.) Barbie Zelizer. London: Sage.

Small, Christopher. 1998. ”Prelude”, Musicking: The Meanings of Performing and Listening, Hanover, NH: Wesleyan University Press, s. 1-18.

Wadel, Cato. 1991. "Feltarbeid som runddans mellom teori, metode og data", Feltarbeid i egen kultur: En innf?ring i kvalitativt orientert samfunnsforskning. Flekkefjord: SEEK. Kap. 3, s. 127-181. 

Webb, Peter. 2004. “Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to worldwide Massive”, i S. Whiteley, A. Bennett, S. Hawkins (red.) Music, Space, and Place, s. 66-85.

Whyte, William Foote. 1943. "Appendix: On the Evolution of Street Corner Society," i Street Corner Society: The Social Structure of an Italian Slum. Chicago: University of Chicago Press,, 279–358.

Weisethaunet, Hans og Ulf Lindberg, 2010. "Authenticity Revisited: The Rock Critic and the Changing Real", Popular Music and Society, 33:4, s. 465-485. 

Weisethaunet, Hans. m.fl. 2005. Rock Criticism from the Beginning. New York: Peter Lang (utdrag, s. 23-35). 

Publisert 1. des. 2017 14:31 - Sist endret 15. jan. 2018 20:09